Galerie Phare Sectional Sofas

Percival Lafer “MP-41” armchairs for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid rosewood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the rosewood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Percival Lafer “MP-41” Armchair for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchair by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid rosewood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushion to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushion to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the rosewood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

In the world of design, Percival Lafer was a visionary dedicated to enhancing both comfort and aesthetics. His innovation led to the creation of the dual MP-97 lounge chairs, which e...

Percival Lafer “MP-41” living room set for Lafer MP, wood and cognac leather, Brazil, 1972, set of 3 The “MP-41” living room set by Percival Lafer, composed of a sofa and two armchairs, embraces fluidity with a structure that appears weightless despite its solid rosewood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the rosewood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon’s “Tijuca...

Original condition.

The MP-91 armchair, designed by Brazilian designer Percival Lafer, features a solid Jatoba wood frame and cognac-colored leather upholstery.

Crafted by the renowned master Percival Lafer in 1970, this exceptional piece of furniture boasts a striking and comfortable design. Its clean lines and unique details, such as elega...

This gorgeous collectors piece is an all original and signed yellow leather 'MP-97' three-seat sofa by Brazilian designer Percival Lafer for Lafer MP was designed in 1970 and produce...

Leather lounge chair by Percival Lafer c.1960's, Brazil. The chair features the original cognac leather with a beautiful Brazilian hardwood frame. The back of the lounge chair showca...

Timeless Elegance with the MP-91 Lounge Chair by Percival Lafer Step into the world of refined mid-century modern design with this MP-91 lounge chair, a masterpiece by renowned Braz...

Very nicely shaped lounge sofa designed and manufactured by Percival Lafer, Brazil, 1970. This sofa has a solid rosewood wooden frame and leather upholstery, chrome connections and l...

Percival Lafer “MP-41” Sofa for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” sofa by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid rosewood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the rosewood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...