Garvey Simon More Art

Propelled by Andra Samelson is a vibrant 12 x 12-inch acrylic-on-canvas that radiates energy and motion. Concentric arcs ripple outward from a luminous center, intersected by bands o...

Along Those Lines (2025) by contemporary artist Andra Samelson is a luminous acrylic-on-canvas painting that pulses with rhythm and light. Wave-like lines ripple across the surface a...

Abby Goldstein’s “Holding on to a Memory” is a mesmerizing abstract painting that weaves together flowing botanical forms, layered gestures, and intricate patterns. Rich midnight blu...

Tayo Heuser, Birds exemplifies the artist’s signature fusion of geometric abstraction, spiritual symbolism, and architectural rhythm. Known for her large-scale paintings and works on...

Maya Kabat’s Let the World Push Through exemplifies her signature approach of building compositions through thick, deliberate layers of oil paint, scraped and reworked to create tact...

Stwirl (2025) by contemporary artist Andra Samelson is a vibrant 12 x 12-inch acrylic-on-canvas that radiates energy and motion. Concentric arcs ripple outward from a luminous center...

Lapis Light (2025) by contemporary artist Martin Benson is a meditative mixed media painting on canvas that blends oil paint, wax medium, and crushed gemstones—lapis lazuli, turquois...

The Shape of Memory embodies Lisa Pressman’s long investigation into how memory lives within the body, surface, and time. This sculptural mixed media work is both painting and object...

Always Already Again 12 reflects Maya Kabat’s ongoing exploration of structure, tension, and the physical presence of paint. Influenced by landscape, architecture, and the logic of q...

Maya Kabat’s Begin Again 5 (2025) exemplifies her bold abstract style, created with lots of oil paint on canvas (mounted to panel) using her signature drywall tools. Kabat builds ric...

In A Whisper Breaks the Silence (2024), Alan Bray masterfully captures the quiet majesty of a deep winter forest in Maine. This luminous casein tempera on panel painting (15 x 20 inc...

In First Light (2024), Alan Bray captures the quiet majesty of dawn over Spencer Pond, Maine. This luminous casein tempera on panel painting (15 x 24 inches) depicts a breathtaking s...

Linda Kamille Schmidt is inspired by the colors and textures of transparent and opaque fabrics that she collects and sews into layered, geometric collage...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a well of both excitement and sentimentality. Her transparent and opaque fabrics mingle together with an almost casual ease. Schmidt’s hand is evident in the cut, placement, and suturing of each strip. The artist vacillates between precise machine and loose, wobbly hand-sewn stitches. Her subtle use of pins in the works act as focal points for the eye as it dances around the celebration of color and texture. As a result, her works refuse the sterility of manufacturing, and challenge the reductive elision of perfectionism and femininity. This sense of touch evokes a closeness with the fabric, almost inviting contact. A hot frenzy of geometric forms, Schmidt’s fabric swatches about and overlap to form a kaleidoscopic play with depth and recession. Coupled with the scale of these smaller pieces, Schmidt draws her viewer forward, and entices them to fall into her mesmerizing displays.  Linda Kamille Schmidt is originally from Kansas where she attended Bethel College and where most of her family still lives. She received an MA and MFA in drawing and painting from the University of Iowa in Iowa City.  She has lived and worked in Brooklyn, NY, since 1989. Solo and Group shows have included AIR Gallery (New York, NY), Ann Street Gallery (Newburgh, NY), Art in Embassies (Kohor, Republic of Palau), Art Mora (Ridgefield Park, NJ; Seoul, South Korea; New York, NY), ArtPort Kingston (Kingston, NY), Carroll and Sons Gallery (Boston, MA), Chazou Gallery (British Columbia), Cheryl Hazen Gallery (New York, NY), Clemente Soto Velez Cultural Center (New York, NY), Curious Matter (Jersey City, NJ), DeDee Shattuck Gallery (Westport, MA), Denise Bibro Fine Art (New York, NY), Main Window Dumbo (Brooklyn, NY), Port Washington...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...