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Portfolio L
Atelier - 10 Linocuts Russian
By Jean Pougny
Located in London, GB
The portfolio consists of 10 linocuts, each printed on a separate sheet and stamp signed with the artist's signature stamp "Pougny".
These original prints were created by Pougny hims...
Category
1910s Interior Prints
Materials
Linocut, Stencil
The Radio General
By (after) George Grosz
Located in London, GB
GEORGE GROSZ 1893-1959
1893 - Berlin - 1959 (German/American)
Title: The Radio General, 1937
Technique: Titled India Ink Drawing on Thin Wove Paper
Size: 66.7 x 48.3 cm. / 26.3 x...
Category
1930s Expressionist Interior Prints
Materials
India Ink
The Pointing Man, in the Studio L’homme qui pointe dans l’atelier - Swiss Art
By Alberto Giacometti
Located in London, GB
ALBERTO GIACOMETTI 1901-1966
Borgonovo 1901-1966 Chur, Switzerland (Swiss)
Title: The Pointing Man, in the Studio L’homme qui pointe dans l’atelier, 1951
Technique: Original Hand ...
Category
1950s Interior Prints
Materials
Lithograph
Frontispiece for Planches de Salut - Cubism Polish
By Louis Marcoussis
Located in London, GB
LOUIS MARCOUSSIS (1883-1941)
(Ludwik Kazimierz Wladyslaw Markus)
1878 or 1883 Łódź, Poland – 1941, Cusset, France
(Polish/French)
Title: Frontispiece for Planches de Salut, 19...
Category
1930s Cubist Interior Prints
Materials
Paper
Studies for Three Figures - Italian art, Composition, Futurism, Watercolour
By Mario Sironi
Located in London, GB
MARIO SIRONI 1885-1961
Sassari 1885-1961 Milan (Italian)
Title: Studies for Three Figures Studio per le Tre Figure, 1948
Technique: Hand Signed Pen and Watercolour Drawing on Pape...
Category
1940s Interior Prints
Materials
Watercolor, Pen
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Chester Cathedral - Drypoint Etching in Ink on Paper
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Chester Cathedral - Drypoint Etching in Ink on Paper
Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale.
Signed by hand "J. Alphege Brewer" in the lower right corner.
Titled "Chester Cathedral" in plate, lower left corner.
Includes original card with artist's name.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 7.75"W
James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer.
Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings.
Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
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Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
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Nude with Bouquet of Flowers - Handsigned lithograph /75ex - Mourlot 1974
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Bernard CATHELIN
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Signed in pencil
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