Guelfucci Gallery Chaise Longues

Graceful and inviting, the recamier chaise with arched back and rolled arm. The fainting couch is upholstered but it does show some ware. Although made in the Victorian period, it ...

Italian Chaise Longue .Elegant and Timeless. Beautiful Reds and Gold Colors in Silk .

The curved Silhouette of this superbly elegant chaise longue provides a chic and comfortable seat that will highlight the decor of any bedroom or...

Distinctive steel chaise longue, finished as forged iron and adorned in brass detail. Sold with newly-made tie-on upholstered cushion in antique hand-loomed French thistle and natural canvas. All...

Beautiful Mid-Century Modern style chaise longue, Karlskrona, designed by Karl Malmwall for IKEA, in the 1990s. Handmade in wicker and rattan, with a soft neck pillow in cream white...

Armchair and ottoman. From the early Art Deco period of Northern Italy, in walnut and ivory velvet upholstery, the chair's back is gracefully curved and extends to accentuate the cur...

In the style of Italian manufacturer Contempo, this Chaise Longue, in cream leather, was first produced in the 1960’s. Contempo is an Italian manufacturer of luxury leather seating. The company has two production sites in Italy and continues to design and create high end leather furniture to this day. This cream leather Chaise...

Sleek 1970s Hollywood Regency fully upholstered chaise lounge or sofa for Berhardt Flair in the style of Karl Springer or Steve Chase in original tan silk blend upholstery. Great 70s styling with upholstered flared legs, Ogee around base and angled back and sides to the sofa. In fine original condition, some minor marks on feet and to the backs, one lighter spot on the seat. Foam is in perfect condition on this very comfortable chaise, having to back cushions and two pillows. Usable in present condition, if perfection is sought, plan to recover. Retains Bernhardt Flair Division...

Victorian Walnut Chaise Longue – Button-Back Upholstery Item Code: S27-1109 This elegant Victorian walnut chaise longue features a beautifully shaped silhouette with a sweeping backr...

An upholstered day chaise lounge by Kristin Drohan with clean lines, wood frame with double H form stretcher, straight arms, bolster pillows at both ends. Upholstered in a red and ta...

Chaise longue sleeper brown all in brown natural rattan with rocking feet.

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...