Handelshuis Wassenaar BV Cigar Boxes and Humidors
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Striking Antique Dutch Colonial Silver-Mounted on Top Hardwood Box, circa 1880
Located in Lisse, NL
If you are looking for a truly beautiful box for yourself or maybe as a gift for that special someone in your life then this rare and all handcrafted gem could be perfect.
An excep...
Category
Antique Late 19th Century European Dutch Colonial Decorative Boxes
Materials
Silver Leaf
Antique Hand-Carved Chestnut Box in Asian Bamboo Style Inlaid with Soapstone
Located in Lisse, NL
Exclusive
fine quality hand-crafted Chinoiserie box.
The diversity in techniques and materials used by craftsman around the world and over the last centuries never seizes to a...
Category
Early 20th Century European Chinoiserie Cigar Boxes and Humidors
Materials
Soapstone
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A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines.
Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth.
Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid.
Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most.
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Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving.
Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art.
PROVENANCE / ACQUISITION
Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas.
References
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Category
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