Helga Horner Inc. Sculptures

Beautiful desk accessory for the fox hunter. Austrian/Vienna cold painted bronze fox hunter on his horse with his three hounds. Onyx base with letter opener or pen well/tray in excel...

19th century carved wooden deer’s head We are proud to offer a delightful example of a 19th century hand carved German deer’s head. This ite...

18th century French or Italian Santo Nativity Figure, a hand carved and painted fruitwood figure for a Christmas Crèche or Krippe. Excellent and delicate details to the head and hands. The half figure stands on a dowel set into platform base, dressed in original fine linen robe...

Impressive wood carved angel with amazing detail. Certainly the work of a master carver. Found among the entire contents of a Catholic Church in the Midwest which was said to have cl...

Patinated bronze allegorical group featuring three putti on a cliff strewed with wheat. Two of them are playing the drum and the bagpipe whereas the third one is dancing. He is weari...

The figures representing a male and female in colored clothing, playing the violin and the mandolin respectively, each standing on a plinth. These bronze Orientalist style figures...

Delightful and finely detailed cold-painted Vienna bronze figurine depicting two young birds perched on a large feather. Dating to circa 1900, this charming piece exemplifies the exq...

18th century Spanish Conquistador carved wood figure. 18th century Carved and painted wood Spanish Conquistador figure or sculpture. This beautif...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

A most impressive antique Spanish Colonial hand carved polychromed wood Santo Catholic church altar figure. circa 1800 Hand-crafted in the late 18th / early 19th century, exceptionally executed intricate detailing, the large scale antique religious sculpture depicting the female Saint Teresa of Avila, polychrome painted gesso over finely sculpted wood, inset glass eyes, shown in Carmelite nun habit...

Austrian Cold-Painted Figure of a Musician, after Franz Bergmann Austria, circa 1900s An expressive Austrian cold-painted figure of a Bedouin musician, crafted in the early 1900s aft...

Beautiful Antique Cold Painted Vienna Bronze Owl A very fine early 20th Century Austrian bronze figure of a barn owl standing on an integral bronze plint...