Il Segno Del Tempo Srl Tables

A stately and well carved marble Corinthian column capital, 19th century, Italy. Presented and displayed inverted, with a typical decorative motif of acanthus and volute. Perfect f...

Oval burgundy marble dining table by Florence Knoll, manufactured in the United States during the 1960s. The tabletop, hewn from solid bur...

English round mahogany table.

We are delighted to offer for sale this exceptionally rare and important original circa 1900 Carlo Bugatti occasional table This table is special, designed by Carlo Bugatti, Italy around 1900, it’s a rectangular walnut occasional or centre table, partly ebonized, with floral inlays made of pewter, the legs partially covered with copper sheet, the tabletop covered with goatskin, this table was exhibited at the Musee d'Orsay, Paris, 2001 Carlo Bugatti (2 February 1856-April 1940) was an Italian decorator, designer and manufacturer of Art Nouveau furniture, models of jewelry, and musical instruments. Bugatti was born 2 February 1856 in Milan, in what would remain until 1859 the kingdom of Lombardy: he died in Molsheim, France. Biography: Son of Giovanni Luigi Bugatti, a specialist in interior decoration, Carlo studied firstly at the Brera Academy in Milan, and subsequently, from 1875, at the Académie des Beaux Arts in Paris. In 1880 he started to manufacture furniture in Milan, later transferring to France. From 1888 he began to be successful beyond Italy. Nevertheless, till 1904 he maintained a Milan workshop in the city's Via Castelfiardo 6. He was also, like his father, trained as an architect, but there is no evidence that any of his architectural designs were ever executed. He triumphed at the exhibition of decorative art in Turin in 1902 and returned to Paris in 1904. Father of sculptor Rembrandt Bugatti and automobile manufacturer Ettore Bugatti, he moved in 1910 to Pierrefonds where he established an atelier. From 1914-1918 he was nominated mayor of the village, and the outspoken anti-German industrialist Adolphe Clément-Bayard, who lived at the Domaine du Bois d'Aucourt, entrusted its upkeep to him. From then on, he devoted himself entirely to painting. After the suicide of his son Rembrandt in 1916, Bugatti, then 60, produced less, but he remained influential. In 1935, at the age of 79, he retired near his son Ettore's family in Alsace. He settled in a flat north of Château Saint-Jean, Dorlisheim, with his wife Teresa (who died shortly afterwards), at the domain of promotion of Bugatti property of his son Ettore. He spent his last months at his apartment at the Bugatti factory in Molsheim, where he frequented the workmen and the house of 'the Hardtmühle', living with Ettore and his family. In April 1940, he died at the hospital in Molsheim. He is buried in the Bugatti family cemetery at Dorlisheim. The Bugatti section of Molsheim's municipal Musée de la Chartreuse displays...

Pair of Ebonized Console Tables Early 19th Century A stunning pair of early 19th century ebonized console tables in solid wood. Probably French. A very desirable find, these consol...

Chinese Ebonized Wood Console Table, in three pieces, two two-tier high tables with top. 34" H x 66" W x 10" D. Provenance: From an 850 Park Avenue Collection.

PAIR of French Mid-Century column mahogany veneer pedestals with square bodies with canted corners, resting on stepped square bases. (PRICED AS PAIR) Condition: Good; Wear consisten...

A pair of blonde wood and ebonized pedestal or lamp tables with turned and dished circular tops supported by S-shaped scroll supports on a triangular platform base and carved bun fee...

Pair of 18th Century Italian console tables in walnut. These tables can be used as they are, or can be joined together to make a centre table.

Large 19th century Tilt-top French wine tasting table. The top can be positioned vertically for storage and opened for use as a side or dining table. Dimensions when tilted up: 49" x...

Karl Springer Goatskin coffee table, 1970. Original.

Porto low tables are composed of a circular top that seems to rest on a sturdy oblong base. Lightness and weight overlap creating a harmonic and unconventional monoblock. The unagreement between the geometry of the elements generates irregular pieces capable of evoking movement, as they elude the gaze, changing according to the viewing angle. The tables give continuity to the Porto collection, whose inspiration comes from the weight and scale...