Illiano’s Lab Asian Art and Furniture

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

A graceful baluster form with a flared mouth, a rounded body, and a slightly raised foot. The vase features two intricate handles in the shape of animal figures holding large looped ...

A heavily potted and richly glazed celadon dish, Longquan kilns, early Ming Dynasty, mid 15th century, China. The large dish glazed in a deep olive cela...

Rare and well-preserved 16th century cupboard / cabinet. Detailed carved top section depicting a floral leaf design and people in polychrome lacquer. Front with red lacquer, pair of ...

This flower pot was made in Japan around 1990s. It is made with porcelaine. The motif of this pot is called 'Choju Giga' which is oldest manga in Japan. Chōjū-jinbutsu-giga, commonl...

Bear figure in ceramic, designed by Knud Kyhn Bear figure of stoneware from Royal Copenhagen. Additional information: Material: Ceramic Artist: Knud Kyhn Size: 13 W X 8 D X ...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

Japanese Imari fluted porcelain plate hand decorated with floral design and gilt painted rim. Hand signed Japanese signature on bottom.

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...

This is a hand painted 17th century, late Ming dynasty, porcelain Jar or small Vase hand painted in a blue and white figural scene, which we attribute to the Wanli / transitional period, circa 1625 - 1640. This piece may be from the Hatcher shipwreck cargo but we have no certificate or paperwork to support this. Please note, since the Hatcher collection was auctioned by Christies in 1984/1985 ( 40 years ago) many pieces have now lost their original auction paperwork and certification. The Jar/ Vase is fairly thickly potted with a very white glaze to the porcelain. It is decorated with a man and a boy stood against a tree with rocks, mountains and flying bats in the background all hand painted in various shades of a clear under-glaze cobalt blue. The irregular shaped head, bald high forehead, and straight pencilled beard with moustache support this date and period. Overall a good Chinese Ming period porcelain small vase. Notes: The Hatcher Cargo...

A rare brown colored stoneware dish with a central floral motif, likely a lotus, which is a recurrent symbol in Asian art representing purity and beauty. The design's fluidity and or...