Intertrus Inc More Objets d Art and Vertu

This exquisite and rare black jade tablet dates to the Qing period. The Qing Dynasty period spanned the years 1636 -1912. Precisely dating jade artifacts...

French tri-colored, red, green and yellow 18Kt gold pencil case decorated with applied classical lobes, swags and festoons of flowers. French rubbed mark, circa 1810 Width: 12 mm H...

Offered here is a Michel Perchin Pen. Sterling silver gilt and enamel fountain pen, made in Germany. 0728/4321. in great condition, intriguing de...

Antique Silver Card Case in form of purse, Birmingham 1910, Adie & Lovekin Ltd. The case of hinge and thumb piece design, richly engraved scro...

This is an all natural, untreated jadeite jade carved lotus flower pendant set on an 18K white gold bail. The carved lotus flower symbolizes puri...

Boucheron Paris 1940s Art Deco sterling, gold & ruby jeweled compact - necklace The exquisite Boucheron compact is designed with a beautiful gold pie...

Please check out the HD video! This pendant is certified to be natural jadeite jade. The pendant is set in 18k yellow gold and one diamond on the bale of the pendant. In the trade we call it red jade but in reality it is more brown in color than red. The meaning behind the jade leaf carving is that the wearer will receive good fortune and richness. This carved Jade leaf...

14k yellow gold Vesta match safe with elaborate work. Acid tested 14k. Measures 1 3/8 inches x 1 inches x 1/4 inches. Very good condition, maker unknown.

Inspired by the ancient Chinese instruments of desire that also give them their name, the BV "Ben Wa Balls" were designed in 1996 by Betony Vernon and are part of her infamous Boudoir Box...

18kt solid yellow gold piston fountain pen with diamonds and mother of pearl, and 18kt gold nib, fully hallmarked. Limited edition number 792 of 888. The retractable Au 750 solid gold nib is adorned with the engraving of a sugar cane plant...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

This is an all natural, untreated green jadeite jade carved Quan Yin god pendant set on an 18K white gold bail. The carved Quan Yin god symbolizes compassion and protection. It measures 2.28 inches (58 mm) x 0.84 inches (21.3 mm) with thickness of 0.17 inches (4.4 mm) weighing 10.3 grams. Included is a Hong Kong Gems Laboratory...