Jacksons Antique Tea Sets

A sterling silver teapot and creamer by Tiffany and Co. makers. Teapot is style number 23750 and also marked 2 pints. The creamer is style 23243. Th...

An exceptional, fine and impressive, miniature antique Victorian English sterling silver teapot in the Chinoiserie style; an addition to our silver teaware collection This exceptional and rare antique Victorian sterling silver miniature teapot...

An exceptional, fine and impressive vintage Russian silver gilt and polychrome cloisonné enamel tea strainer; an addition to our silver tea ware collection. This exceptional vintage Russian silver gilt and polychrome cloisonné enamel tea strainer has a circular rounded form. The bowl of the tea strainer is embellished with a pierced concentric circular design, encircled with Dual bands of white enamel bead motifs to the rim. The tapering handle is embellished with an impressive cloisonné enamel floral and foliate design in tones of blue and green, accented with further bands of white enamel circular motifs encompassing the concave thumb piece. The enamel segments are encompassed with applied silver paralleling rope twist ornamentation. This fine Russian silver enamel tea strainer retains the original gilding. The hallmarks to the reverse surface of the bowl include: Maker's mark: ??? (Untraced) Soviet silver...

An exceptional, fine and impressive antique George II Scottish sterling silver teapot; an addition to our Georgian silver teaware collection This exceptional antique Georgian sterling silver teapot has an globular bullet-shaped onto a cast circular spreading foot. The surface of this silver teapot is embellished with flat engraved foliate and floral decoration to the upper portion. The body of the teapot incorporates the engraved crest of on a mount, a centaur with a bow and arrow, all above the motto 'Ut Quocunque Paratus' - As prepared for whatever may happen*. This antique 18th century silver teapot...

Japanese silver plated 5-piece coffee or tea set Dimensions: Serving tray, 26.5 wide, 14.5 deep, 1 inch tall Larger coffee pot, 11.75 inches tall, 12.5 deep, 5.5 wide Smaller tea...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This rounded teapot...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...

A fine Japanese cloisonne hinged box with pheasant and autumn foliage, by Inaba Nanaho and the Inaba Cloisonne Company, Meiji period, circa 1900, ...

A lovely teapot of model "The Chinese Teapot" designed by Signe Persson-Melin at Rörstrand. The teapot is 26 cm (10,4") long and 16 cm (6.4") tall. It is in excellent condition. This...

Japanese vase from the Meiji Period (1868-1912). Beautiful antique decorative vase, created in Japan during the Meiji period (1868-1912), circa 1890s. It was carefully crafted in so...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament against...

This elegant Chinese porcelain teapot features a classic rounded form, beautifully hand-painted in rich cobalt blue with a serene lotus pond scene. Cranes and lush lotus leaves dance...