JC Gallery Figurative Prints
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Plate 1, from: Half-Life (after Rembrandt)
By Glenn Brown
Located in London, GB
This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created.
The frame is handmade by famous London framers, Darbyshire. I...
Category
2010s Abstract Expressionist Figurative Prints
Materials
Paper, Etching
Old Man Reading
By Thomas Hart Benton
Located in London, GB
Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
Down the River
By Thomas Hart Benton
Located in London, GB
In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
Discussion
By Thomas Hart Benton
Located in London, GB
In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
Prodigal Son
By Thomas Hart Benton
Located in London, GB
A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
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Financial District
, New York City — American Modernism
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Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
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Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
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