Jenna Burlingham Gallery Figurative Prints

Joe Tilson 1928-2023 Polumnia, from The Nine Muses, 2005 aquatint 50 x 35.5 cm 19 3/4 x 14 in signed, inscribed and dated in pencil After serving in the Royal Air Force (1946–49), T...

Joe Tilson 1928-2023 Urania, from The Nine Muses, 2005 aquatint 50 x 35.5 cm 19 3/4 x 14 in signed, inscribed and dated in pencil, aside from the edition After serving in the Royal ...

Julian Trevelyan 1910-1988 Harbour (from School Prints), 1946 lithograph 49.7 x 86 cm 19 5/8 x 33 7/8 in signed in pencil Julian Trevelyan was an important British artist in the twe...

Joe Tilson 1928-2023 Thalia, from The Nine Muses, 2005 aquatint 50 x 35.5 cm 19 3/4 x 14 in signed, inscribed and dated in pencil After serving in the Royal Air Force (1946–49), Til...

Julian Trevelyan 1910-1988 Tenements of the Mind (The Bat), 1936 etching 20.1 x 35.1 cm 7 7/8 x 13 7/8 in signed, titled and dated in pencil, aside from the addition of 25 Julian Tr...

Julian Trevelyan 1910-1988 Dream Landscape, 1932 etching 31 x 33 cm 12 1/4 x 13 in with Estate stamp, title and inscription by Mary Fedden in pencil Julian Trevelyan was an importan...

The Bird Cage, No.14, 1947 lithograph 30 x 40 in 76.2 x 101.6 cm signed in the plate From a 1947 gouache and chalk original (53.3 x 48.2 cm), the motif also worked into 'Boy and Birdcage', 1947-48, an oil painting. Scott was teaching at Corsham Court with Clifford and Rosemary Ellis, who had been chosen. The birdcage was originally explored in his 1946 painting 'Robert with Birdcage'. Produced for the first series of Lyons prints, by sixteen artists, it was the most avant-garde image chosen for the standardised sizes 'This was distinguishable as from the other lithographs because it was rendered in a bold artistic style of simple shapes and blocks of flat colour.' 'Tea and a Slice of Art', Charlie Batchelor, Towner Art Gallery, 2007. The lithographs were bought early on by institutions including the V&A, National Galleries of Scotland and British Council, as well as being available in New York with Rudolf...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering app...

David Hockney is an English painter, printmaker, photographer, designer and dog-lover. Perhaps the most popular and versatile British artist of the 20th century, Hockney made appa...

Odds and Ends 1987 signed, dated, titled and numbered in pencil, edition of 48 lithograph, unframed 30.5 x 30.5 cm 12 x 12 in

Michael Vaughan was born in London in 1948. He started painting at school under the guidance of the sculptor John Bunting. Later, while studying History a...

Winter Grasses, 1972 signed, titled and dated etching 39 x 52 cm 15 3/8 x 20 1/2 in

Northern Lass, from Europaeische Graphik VII by Patrick Procktor, 1971 Additional information: Medium: lithograph 65 x 50 cm 25 5/8 x 19 3/4 in signed Patrick Procktor was born in ...

Swimming, Mother and Child by Tom Hammick, 1998 Additional information: Medium: etching 38.1 x 27.9 cm 15 x 11 in signed, dated and inscribed AP in pencil Camberwell College of Art, MA Printmaking (1990-92), Camberwell College of Art, BA Hons Fine Art (1987-90), University of Manchester, BA Hons Art History (1982-85). Hammick's first solo show was at Eton College in 1992, and was followed by shows at Redfern Gallery, Salisbury Museum and Brighton Museum, as well as shows in Paris, France, and regularly across Canada, The Artist had a three-month residency at The Art Gallery of Newfoundland and Labrador (AGNL), now 'The Rooms', during which he visited the national parks of Terra Nova and Gross Morn, as well as many of the remote costal areas along the eastern shore. Coupled with his time spent in the South Pacific, Hammick can be seen as a lover of grand and remote coastal landscapes. His art deals not only with the dramatic terrain but the frontier mentality of lives imposing civilisation on to wilderness. Having always been a keen printmaker, Hammick is currently the Senior Lecturer in Fine Art, Painting and Printmaking at the University of Brighton. Hammick's work is included in many public and private collections, including that of Deutsche Bank. A monograph on Hammick was published in 2015 by Lund Humphries. "Colour and space dominate. He favours velvety midnight blues, flamingo pinks, and cool greens and greys, a palette not dissimilar to that of the Scottish artist Craigie Aitchison...

Untitled (Striped Swimsuit) by Tom Hammick, 1998 Additional information: Medium: etching 38.1 x 27.9 cm 15 x 11 in signed, dated and inscribed AP in pencil Camberwell College of Art, MA Printmaking (1990-92), Camberwell College of Art, BA Hons Fine Art (1987-90), University of Manchester, BA Hons Art History (1982-85). Hammick's first solo show was at Eton College in 1992, and was followed by shows at Redfern Gallery, Salisbury Museum and Brighton Museum, as well as shows in Paris, France, and regularly across Canada, The Artist had a three-month residency at The Art Gallery of Newfoundland and Labrador (AGNL), now 'The Rooms', during which he visited the national parks of Terra Nova and Gross Morn, as well as many of the remote costal areas along the eastern shore. Coupled with his time spent in the South Pacific, Hammick can be seen as a lover of grand and remote coastal landscapes. His art deals not only with the dramatic terrain but the frontier mentality of lives imposing civilisation on to wilderness. Having always been a keen printmaker, Hammick is currently the Senior Lecturer in Fine Art, Painting and Printmaking at the University of Brighton. Hammick's work is included in many public and private collections, including that of Deutsche Bank. A monograph on Hammick was published in 2015 by Lund Humphries. "Colour and space dominate. He favours velvety midnight blues, flamingo pinks, and cool greens and greys, a palette not dissimilar to that of the Scottish artist Craigie Aitchison...

Fishermen (Old Seaweed Hoist) by Keith Vaughan, 1956 Additional information: Medium: screenprint on rayon 38 x 59.5 cm 15 x 23.4 in Keith Vaughan was a British painter and writer. ...

Woman with her Husband in the Garden by Stella Steyn, 1929 circa Additional information: Medium: lithograph on wove 13 x 16 7/8 in 33 x 43 cm signed and numbered 1/15 in pencil Ste...

Bathers by André Bicât Additional information: Medium: etching, unframed 10.5 x 11.5 cm 4 1/8 x 4 1/2 in signed, titled and numbered in pencil Born in Es...