JF CHEN Decorative Objects

A pair of beautiful Baroque style polychrome carved wood wall decors depicting deer and ibex figures. Painted in brown, green, red, and golden c...

Finest quality carved, Victorian era, Black Forest deer / stag wall sculpture. One of the main reasons for people wanting to own and enjoy antiques is for their decorative appeal an...

Mid-Century Modern pair of bronze deer consists of one buck and one doe, with the buck standing upright displaying his antlers and the doe grazing on the ground. The brass has nic...

PAIR OF ENGLISH STAFFORDSHIRE DOGS 19th Century Earthenware English in molded, relief and gilded ceramics. Wear on the gold. Height: 38 cm. good conditions for the time

Cast Iron Charm: American Folk Art Cat Doorstop This charming piece of American folk art is a cast iron doorstop modeled in the form of a black and white tuxedo cat. Doorstops like ...

19th century carved wooden deer’s head We are proud to offer a delightful example of a 19th century hand carved German deer’s head. This ite...

Cast iron horse doorstop Signed Hunter. Copyright 1949. VA Metal Crafters, Waynesboro, VA.

A sculpted object of a deer with sculpture. A sculpture of a complex pattern directs a slightly different atmosphere.

A pair of vintage bronze ducks from the mid-20th century, standing on their feet. Created during the second quarter of the 20th century, e...

This cast iron piece features a statuary male Chinese guardian Lion (Foo Dog) proudly balancing both hands atop an embroidered ball, representing supremac...

American cast iron and painted horse head hitching post with a central fluted ringed column resting on a squared base, Mid 19th Century.

A pair of large and finely patinated bronze models of a standing bull and a running cow after models by Isidor-Jules Bonheur, Cast on a Naturalistic Base. French, circa 1890. Signed 'I BONHEUR' and stamped 'PEYROL EDITEUR'. Bonheur was a regular exhibitor at the Paris Salon and his naturalistic depiction of farm animals, including cattle, was one of his most popular subjects. The bronze was cast by his brother-in-law, Hippolyte Peyrol, who ran one of the most successful art foundries in Paris at this time. Isidore-Jules Bonheur (1827-1901) was the son of the painter Raymond Bonheur and younger brother of Rosa Bonheur, the famous sculptor. He was born in Bordeaux and studied painting, at first with his father and then with the Ecole des Beaux Arts in Paris, moving on to sculpture in 1848. He made his debut at the Paris Salon in 1848 with a painting and plaster study of the same subject ‘African horseman attacked by a lioness’. From then onwards, Bonheur exhibited regularly at the Salon as well as other exhibitions, winning medals in 1865 and 1869 together with the prized Gold Medal at the Exposition Universelle of 1889. He was awarded the Legion d’Honneur in 1895. Most of Bonheur’s casts were by his uncle by marriage, Hippolyte Peyrol, whose tiny foundry mark is often very difficult to find. Bonheur’s studies range from farm animals, bears and tigers in a very naturalistic vein to equestrian groups. Although noted primarily for his small groups he did complete two large scale commissions, one to his sister Rosa, at Fontainbleau and the other, two stone lions at the steps of the Royal...