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KENT FINE ART Prints and Multiples

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QUEJAS
Located in Pine Plains, NY
Muntadas addresses through his works social, political and communications issues, the relationship between public and private space within social frameworks, and investigations of ch...
Category

Early 2000s Contemporary Landscape Prints

Materials

Digital Pigment

Tu Va Bien
Located in Pine Plains, NY
From his series "Sentences", Muntadas addresses through his works social, political and communications issues, the relationship between public and private space within social framewo...
Category

Early 2000s Conceptual Landscape Prints

Materials

Archival Pigment

Hard Rock
By Jerry Kearns
Located in Pine Plains, NY
In the 1980's, working alongside Lucy Lippard in relationsip to an important political advocacy group, Kerns has been deemed one of the most perceptive political artist of his time. ...
Category

1980s Pop Art Figurative Prints

Materials

Screen

HANOI JANE
Located in Pine Plains, NY
In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...
Category

2010s 85 New Wave Figurative Prints

Materials

Archival Pigment

COOL HAND LUKE
Located in Pine Plains, NY
In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...
Category

2010s 85 New Wave Figurative Prints

Materials

Archival Pigment

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