KREUTZERmodern Wall Decorations

The flat, constructivist wooden relief by Sascha Langer follows a geometric vocabulary of forms in a convincing proportional relationship. The stacked segments create spatial depth a...

Franz Mörscher The composition of the painting is deliberately designed for reduction and corresponds to the idea of cultural minimalism and the new objectivity that developed in the 20th century. Mörscher chooses the rational, crystalline form of the representation of selected objects (vases, lemon, fruits?) and uses color as surface and line to create structure in the space. In this composition, Mörscher reduces the classical means of perspective to create a pictorial space between object light and color. The application of paint appears partially modeled. The natural crack and fissure network (Krakelee) of the sometimes layered paint application seems to be deliberately achieved. The selection of the depicted objects is possibly also based on symbolic aspects. After the desolation of the war years, the painting speaks of the color world of the spirit of optimism of the 1950s. W 63 x H 50 Measures with frame: W 71 x H 58 Biography Franz Mörscher was born on November 7th, 1931 in Bundenbach and died on July 14th, 2018 in Neunkirchen (Saar). Besides the sculptor Hubert Nietsch, he was the second artist to set a monument to the miner’s cow in public space in Germany from 1993 to 1995. Franz Mörscher studied from 1951 at the School of Arts and Crafts Saarbrücken with Boris Kleint among others in the subjects of painting and sculpture. During his studies he met the photographer Otto Steinert...

The painting „Frau vor Säule“ presented Chen Yun Wang / Wang Chengyun in the room “Ying”, titled Black Room of the Past. Provenance: Schenning Collection, Goslar. Oil on canvas. Signed on both sides. Chen Yun Wang, 20. September 2019, Text: Kai Hunsicker Gallant wanderer between China and Germany. Chen Yun Wang (born 1959) is one of the better known representatives of contemporary Chinese classical...

Rudolf Kämmer (1935-2021) Untitled, acrylic on canvas Verso signed on stretcher Signed: Rudolf Kämmer and dated: 1971 (black fibre pencil) Rudolf Kämmer belonged to the representatives of Optical Art (Op Art) who oriented themselves in the 1960s to the experimental traditions and movements of the Bauhaus and was one of the founders of geometric, concrete and constructivist art. With his works, Rudolf Kämmer stimulated the perceptual behaviour of the viewer by challenging him to question and influence the work through attentive visual behaviour. His work concepts (colour reliefs, revolving web paintings...