KSG Fine Art Gallery

"Portrait of a Basset Hound" Léon Espinasse (French, c. 1870 to 20th century) Watercolor on paper Signed lower left 12 x 9 3/8 (23 ¾ x 21 frame) inches A stunning exercise in comple...

"Study of a Pointer Running" Léon Espinasse (French, c. 1870 to 20th century) Watercolor on paper Signed on right 15 x 11 1/2 (28 1/4 x 23 1/2 frame) inches A stunning exercise in ...

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

"The Lumberjacks" Pierre Ambrogiani (France, 1905-1985) Oil on canvas Circa 1950's  27 x 22 1/2 (frame) inches The bright and balanced palette of this magnificent painting does noth...

Still Life of Game with Spaniels and Falcons in Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/...

Dog Portrait of a Great Dane Jules Chardigny (1842-1892) Circa 1870 Oil on cardboard Signed upper left 9 1/2 x 12 3/4 (17 1/2 x 20 1/2 frame) inches Jules Chardigny was born in L...

"Hunting Dog at a Stop." Unknown (signature indecipherable) Oil on panel Signed lower left 7 1/4 x 9 (10 3/4 x 12 frame) A very fine depiction of a hunting dog at a stop anticipatin...

Painting of a Lynx in a Tree Charles Livingston Bull (American, 1874-1932) Oil on canvas Signed on reverse 13 1/2 x 19 1/2 ( 20 3/4 x26 3/4 frame) inches Charles Livingston Bull (1...

Dutch Landscape "Country Farmhouse" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower left 19 1/2 x 23 1/4 (25 1/4 x 29 frame) inches Piet Lippens was a Pos...

Dutch Landscape "HayBales in Front of a Church" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower right 19 1/2 x 23 1/4 (24 1/4 x 28 1/4 frame) inches Piet ...

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...

"Rainy Night in Paris, Kissing in the Rain" 1908 Frédéric Levé (1877-1968) Oil on canvas Signature notated on stretcher bars on reverse 25 5/8 x 21 1/4 (32 7/8 x 28 1/3 frame) inch...