Art

Jacques Villon 1875 Damville - 1963 Puteaux Renée aux Canapé Drypoint etching Signed in pencil lower right Limited edition 8/50 in pencil lower left With the dry stamp of the publish...

Karl Schmidt-Rottluff 1884 Rottluff - 1976 Berlin Haus mit Pappeln, 1913 Woodcut on firm brownish paper Signed in pencil lower right Image: 23.5 x 24.7 cm Frame: 51 x 61 cm Publishe...

Erich Heckel Döbeln 1883 - 1970 Radolfzell Portrait A.N. Asta Nielsen Woodcut Signed in pencil lower right Additionally signed lower left by printer F. W. Voigt Image 46.2 x 30 cm Fr...

Serge Poliakoff Moscow 1906–1969 Paris Lithograph Signed in pencil lower right Marked "épreuve d'artiste" lower left Proof outside the numbered edition of 65 copies Image size: 46 x ...

French artist, circa 1800 Study of a male nude Oil on canvas Size 24 x 49 cm Frame 34 x 59 cm

Gabriel Briard Paris 1725 - 1777 Seated male nude Charcoal drawing Signed lower left Size 55 x 36 cm Frame 75 x 56 cm Authenticity confirmed in writing Gabriel Briard was a landsca...

Rolf Hans Frankfurt 1938 - 1996 Basel Soldatenglück I, 1992 / Soldier's Luck I, 1992 wooden sculptures signed, dated, and titled on the underside 115 x 40 x 16 cm The sculptures are...

Rolf Hans Frankfurt 1938 - 1996 Basel Figure XXV, 1995 wooden sculptures signed, dated, and titled on the underside 126 x 24 x 26 cm The sculptures are accompanied by a catalog about...

Ho Kan Nanjing 1932 "Composition, 1977" Oil on canvas Signed lower left and dated "(19)77". Titled on the back Image: 40 x 30 cm Frame: 63 x 53 cm Provenance: Estate of Rolf Hans,...

Karl Bohrmann Mannheim 1928 - 1998 Cologne Trees, 1996 Oil pastel, watercolour and collage Signed and dated lower centre Paper size: approx. 22.5 x 27 cm Frame: 59 x 41.5 cm Proven...

George Rickey South Bend 1907 - 2002 Saint Paul Untitled Lithograph Signed in pencil lower left Limited edition 88/150 Sheet size: approx. 37 x 27.5 cm

Gottfried Honegger Zurich 1917 - 2016 Untitled Silkscreen print Hand-signed in pencil on the reverse Limited edition of 88/150 Sheet size: approx. 35 x 25 cm

Jo Delahaut Schaerbeek 1911 - 1992 ohne Titel, 1969 Siebdruck Rückseitig signiert, datiert und limitiert: 54/200 Blattgröße: 18 x 18 cm

Anthony Hill London 1930 - 2020 Untitled, 1991 Silkscreen print Hand-signed and dated in pencil on the reverse Paper size: approx. 8 x 10 inches

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Nightscape, Circa 1907 Oil on canvas monogrammed lower right Size: 55 x 40 cm Frame: 64 x 50 cm Original condition, a few s...

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Starry Night, Circa 1907 Oil on canvas laid on board signed and titled in German on the reverse Size: 40,5 x 46 cm Original co...

Domenichino, actually Domenico Zampieri (after) Bologna 1581 – 1641 Naples Rinaldo and Armida in Armida's Enchanted Garden, circa 1700 Oil on canvas (doubled) Size: 80 x 138 cm ...

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Summer Landscape, Circa 1907 Oil on canvas laid on board signed lower right Size: 28 x 38,5 cm Frame 52,5 x 63,5 cm Original ...

Dutch Master 17th Century Farmer at the Well with Goats and Cows Oil on Wood Size: approx. 48 x 63 cm Frame: 68 x 83 cm Age-related condition, old restorations (see photos) Viewing...

Marc Angeli Brussels 1954 - lives in Liège Peinture Bleue, 2002 Pigmente auf Holz Rückseitig signiert und datiert Größe: 12 x 11 x 7,6 cm Plexiglaskasten: 26 x 25 x 13,5 cm Proven...

Mimmo Paladino Paduli 1948 Untitled, 1983 Watercolor, chalk, and ink on ivory-colored Fabriano paper (watermark) Monogrammed lower right and dated (19)83 Sheet size: 48 x 65 cm Fra...

South Tyrolean woodcarver, circa 1760 Wood, painted Mary, Mother of God, is missing the fingers of her right hand, and the baby Jesus is missing a foot, an arm, and a hand. The origi...

Heinrich Campendonk Krefeld 1889 - 1957 Amsterdam Reclining female nude with cow and goat, 1918 Woodcut on Japanese paper Signed and dedicated in pencil lower left "for Lasar Segall ...

Luciano Castelli Lucerne 1951 Male Nude, 1982 Pigment paint on paper Signed and dated Size: 195 x 67.5 cm Frame: 207 x 80.5 cm Viewing and collection by prior appointment Authe...

Eleonore (Lori) Matschnig Eisenerz 1838 - 1920 Graz An Old Man, after Balthasar Denner Oil on wood Size: 40 x 31.5 cm Frame: 59 x 51 cm Good original condition Viewing and collect...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Head (astonishment), circa 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 41. Monogrammed in the plate. With t...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Head (pondering), circa 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 40. Monogrammed in the plate. With th...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Head (zurückweichend), circa 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 38 With the embossed artist's mo...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Inclined Head, after 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 35. Monogrammed in the plate. With the e...

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Flower Girl Oil on canvas Signed lower left Size: 46 x 33.5 cm Frame: 70.5 x 47.5 cm Good condition (see photos) Viewing and c...

Hans Liska Vienna 1907 - 1983 Wertheim Mozart, Don Giovanni Register Arie, Don Juan Gouache on cardboard Signed lower right, titled lower left Image: 50 x 41 cm Frame: 69 x 59 cm G...

Otto Friedrich Carl Lendecke Lemberg 1886 - 1918 Vienna Ich werde beobachtet! I am being watched!, 1918 Watercolor and pencil on paper / cardboard Signed and dated lower left, tit...

Otto Piene Laasphe 1928 - 2014 Berlin Telemagisch, 1969 Color silkscreen print Sheet size: approx. 62 x 42 cm Signed and dated in pencil lower right Limited edition 46/100 lower lef...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Head (devoted), circa 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 39. Monogrammed in the plate. With the ...

Maurice Denis Granville 1870 - 1943 Saint-Germain-en-Laye Nymphe couronne de Pasquerettes, 1899 Color lithograph on handmade paper Signed in pencil lower right Size: 56 x 44 cm Goo...

Hans Brasch Karlsruhe 1882 – 1973 Murrhardt "Sunset, 1928" Watercolor on Japanese paper Signed lower left and dated "1927" Image: 62.5 x 85.5 cm Frame: 80 x 104 cm Good condition, ...

Hans Brasch Karlsruhe 1882 – 1973 Murrhardt "Landscape, 1928" Watercolor on Japanese paper Signed lower left and dated "1927" Image: 62.5 x 86 cm Frame: 80 x 104 cm Good condition,...

Hans Brasch Karlsruhe 1882 – 1973 Murrhardt "Landscape, 1927" Watercolor on Japanese paper Signed lower left and dated "1927" Image: 62.5 x 85.5 cm Frame: 80 x 104 cm Good conditi...

Frode Kierulf Copenhagen 1889 - 1963 Playing Cat, 1916 Oil on canvas Signed lower right and dated "1916" Size: 33 x 43 cm Frame: 55 x 65 cm Authenticity guaranteed in writing. D...

Georg Macco Aachen 1863 - 1933 Genoa Oriental Landscape Oil on canvas Signed lower right Size: 28 x 46 cm Frame: 37 x 55 cm Original condition (see photos) Viewing and collection ...

Probably Dutch Flemish master, 17th century Ink on paper / on backing Inscribed on the upper and lower margins Size: approx. 23 x 40 cm, plus passe-partout Viewing and collection...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Castle by the Lake 1923, Color lithograph on handmade paper Signed in pencil lower right Sheet 2 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 13 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 793 Further photos available on request Viewing and collection possible by prior appointment Authenticity confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Wildbach, 1923 Color lithograph on handmade paper Signed in pencil lower right Sheet 4 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 15.5 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 795 Further photos available on request Viewing and collection possible by prior appointment Authenticity will be confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

Theodor Leopold Weller Mannheim 1802 - 1880 Pipe Smoker Oil on canvas Monogrammed lower right Size: 72.5 x 62.5 cm Frame: 83 x 75 cm Good original condition (slight age-related cr...

Lovis Corinth Born 1858 - 1925 Zandvoort Alpine Hut, 1923 Color lithograph on handmade paper Signed in pencil lower right Sheet 3 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 15.5 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 794 Further photos available on request Viewing and collection possible by prior appointment Authenticity will be confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

Frederik Lenditz 1873 - 1937 Rococco Interior Oil on canvas signed lower right Size: 58 x 79 cm Frame: 73 x 94 cm Besichtigung und Abholung nach vorheriger Terminvereinbarung gern...

Lothar Homeyer Berlin 1883 - 1969 Marc Chagall, 1946 Ink drawing, heightened in white in places on paper / cardboard Monogrammed and dated lower right, titled lower left below th...

Peter Hermann Bietigheim 1962 - lives in Ludwigsburg Figure with Bird, 1998 Elm, carved, painted Monogrammed on the back Size: 70 x 40 x 19 cm Literature and illustration: "Peter H...

Friedrich Richard Hartmann 1866-1925 Flower still life Signed lower left Painting 80 x 60 cm Frame: 94 x 74 cm Original hand-carved Impressionist frame. Viewing and collection by...

Paul César Helleu Vannes 1859 - 1927 Paris "Study of 4 women" Etching on handmade paper Signed in pencil lower left Inscribed lower right with "Unique epreuve, ....." Rare proof prin...

Madonna, Mary Mother of God Italy, circa 1780 Linden wood, painted/gilded Dimensions: 80 x 32 x 24 cm Painting/gilding damaged in places Authenticity guaranteed in writing

Paul César Helleu Vannes 1859 - 1927 Paris "Le masque" Color etching on handmade paper Signed in pencil lower right Image: 52.5 x 33 cm Frame: 93 x 72 cm Old 19th-century frame, acid...

Friedrich Gräsel Bochum 1927 - 2013 Osnabrück Untitled, 1968 PVC Monogrammed and dated "68" on the reverse 68 x 59 cm Catalogue raisonné 534 Authenticity guaranteed in writing. The ...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Bathing Establishment, 1920 Lithograph on handmade paper Signed in pencil lower right Marked "Probedruck" (proof print) lower left Image size: 32 x 36.8 cm Frame: 57 x 60 cm Good original condition, under passe-partout (additional photos available upon request) Rare proof print prior to the original edition of 115 copies Published by Fritz Gurlitt, Berlin Catalogue raisonné Schwarz 442 Handcrafted model frame, museum glass Viewing and pickup possible by appointment Authenticity confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

SMASH137 (Adrian Falkner) born 1997 in Liestal, Switzerland Untitled, 2010 Silkscreen print Signed in pencil and limited edition: "25/50" in the lower right corner Paper size: 70 x...

Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subc...

Rolf Hans Frankfurt 1938 - 1996 Basel Set of 4 bird sculptures, 1990 Wood, paint Each signed on the underside 131/121 x 20 x 11.5cm The sculpture comes with a catalog about the artist. Provenance: Estate of the artist Authenticity confirmed in writing At the beginning of the 1970s, Rolf Hans began designing objects for the first time. These were small sculptures that he assembled from iron pipes with round or square profiles. With these, he sought to create a new, three-dimensional reality of experience, parallel to his paintings, which he was creating at the same time. In 1987, Hans returned to the medium of sculpture. He no longer regarded the working process as conscious construction, but rather as allowing himself to be guided by what was already there. And as with his paintings, his objects now arose from an inner necessity, not to fill an intellectual vacuum. "This compulsion has had a hold on me for decades, and for a few years now I have been trying to appease it with the cycle 'Poesie der Dinge' (Poetry of Things). The intellectual climate was ripe." So Hans concentrated on working on the sculpture cycle in the last decade of his life. And as if in a frenzy, he drew on the new possibilities offered to him by the design of the objects: "The poetry of things grows, it swallows up all my time, many things are neglected, hardly any letters, the diary is largely silent, concert visits are limited to the essentials. A compulsion arises, and yet it began as a game, but experiments were always a serious matter that demanded the whole man. [...] The objects have crept into my rational mind, cautiously and unnoticed, claiming their place, taking it, becoming part of myself." "It's a difficult thing with art. Looking at your predecessors, you try to find your way, the spirit of the times and its aesthetics influence the direction, you know about the dissatisfaction in which you move. Now, in the midst of the 'poetry of things', there is a feeling of freedom, yet closely connected to much that came before. There is no program, only a title that allows each work its freedom." But despite the role models before his eyes, Hans succeeds from the outset in finding his own unique ways of expression with his object cycle. What connects him to Max Ernst, Brancusi, and Duchamp is solely the source material: found objects. These are very mundane things from everyday life—once necessary, useful, and practical items such as tools, utensils, and devices—that have been stripped of their function and now serve as a gateway to the artist's imagination. In this way, Hans strips things of their previous, traditional function or archaic purpose and transports them into a different, new reality in order to breathe new life into them. In doing so, he does not want to deny the found form without aestheticizing it. By making only minor changes to their 'innate' structure, signs of wear, and color, he seeks to emphasize their meaning and purpose as form and to redefine their inherent charisma. The objects are worked on, forced to reveal their unique characteristics in their struggle with the artist and to make new statements in connection with other objects. In this way, Hans presents the abstract symmetries of the wood and metal objects without any artificiality and places them on a pedestal in accordance with artistic tradition. Furthermore, he integrates the pedestal into the work. As the lowest component, the pedestal not only prepares the viewer for the sculpture, but also loosens, loosens, or strengthens its connection to the earth. By raising them up, he gives the sculptures a further life of their own, a second existence, so to speak, and also gives them a new identity with a new name. "They show their personality, some more, some less, as is the case in life, or in art." What they all have in common is their influence from the past into the here and now. In doing so, they reveal their original beauty and the mysticism that fires our imagination. However ambivalent the sculptures and objects by Rolf Hans may appear to us, they never do so in a loud or exalted manner. With their balanced and simple appearance, they quietly and calmly, but decisively, enter into contact with us. In an unsettling way, they repeatedly prompt us to ask questions: Who am I? Where do I come from? Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subconscious. They invite us to linger and meditate: it is the familiar beginning and the unconscious departure into the mysteries of creation. Exhibitions (selection) 2023 Kunsthandel Draheim, position berlin art fair 2023 Galerie Jörg Schuhmacher, Frankfurt am Main "Rolf Hans-Farbenspiel" 2022 Galerie Michael Blaszczyk, Bad Homburg, Rolf Hans, "Einblicke Hommage Reflexion" 2021 Jörg Schumacher Gallery, Frankfurt am Main "Rolf Hans-Farbwelten" 2021 Michael Blaszczyk Gallery, Bad Homburg "Sprache der Farben-Das Baseler Kabinett" 2020 Malte Ueckermann Art Dealers, Berlin, Kanalidarte, Brescia "Che cosa avrebbe detto Hegel_ROLF HANS... e la Poesia della cose," Italy Kunsthandel Draheim "art Karlsruhe," "Poesie der Dinge" 2019 Jörg Schuhmacher Gallery, Frankfurt am Main, Blaszczyk Gallery, Bad Homberg 2018 Art Karlsruhe, Kunsthandel Draheim, Wiesbaden, Color Fields 2018 Galerie Dekker, Baden-Baden, Retrospective Galerie Blaszczyk, Bad Homburg 2017 Gallery Eklektik, Monte Carlo, Monaco 2016 Galerie Schuhmacher, Frankfurt am Main 2016 Galerie Cerny Partner, Wiesbaden (Language of Colors) Art Karlsruhe, Kunsthandel Draheim, Wiesbaden (Tachist Painting + Iron Sculptures) Galerie Rainer Klimczak, Viersen Galerie Schuhmacher, Frankfurt am Main (Black on White) 2015 Galerie Blaszczyk, Bad Homburg art Karlsruhe, one Artist show (Galerie Cerny und Partner) Gallery Eklektik, Monte Carlo, Monaco 2014 Jörg Schuhmacher Gallery, Frankfurt am Main (A Retrospective-1) Tristan Lorenz Gallery, Frankfurt am Main (A Retrospective-2) Hellhof Gallery, Kronberg im Taunus (Works from 1960–1980) Art Fair, Cologne, Monochrome Painting (Draheim Gallery Art Dealers, Wiesbaden) 2013 Kunsthandel Thole Rotermund, Hamburg (In the Force Field of Color) + catalog Galerie Kunsthandel Draheim, Wiesbaden (Painting Sculpture 1970–1990) 2012 art KARLSRUHE, one Artist show (Galerie Art Dealers Draheim, Wiesbaden) 2011 Gallery Art Dealers Draheim, Wiesbaden (In the Rush of Colors – Works from the 1960s) 2009 Ketterer Kunst, Berlin (Rolf Hans – Painting and Sculpture) Art Dealers Michael Draheim, Wiesbaden (Rolf Hans – Poetry of Things) 2008 Galerie Art Mayence, Mainz (Rolf Hans – Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main (Rolf Hans) Galerie Winterberg, Munich (Rolf Hans – The Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main, Art Karlsruhe (Rolf Hans – One Artist Show) 2007 Galerie Jörg Schuhmacher, Frankfurt am Main ("Rolf Hans in the Field of Tension of the 'Quadriga'") 2001 Kunstraum Aare, Olten ("Rolf Hans – Paintings, Sculptures, Photographs") 1999 'Kunst im Liebrüti', Kaiseraugst ("Martin Frigg and Rolf Hans") 1992 Kommunale Galerie, Schlangenbad ("Gabriele Schmolk-Hieber, Paintings – Rolf Hans, Objects") 1991 Museum Schloß Salder, Salzgitter ("Poetry of Things") 1990 Galerie Brechbühl, Grenchen ("Poetry of Things") 1985 1985 Toni Brechbühl Gallery, Grenchen ("Two Friends, Ho-Kan, Milan – Rolf Hans, Basel") Toni Brechbühl Gallery, Grenchen ("Rolf Hans – Oil...

Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subc...

Rolf Hans Frankfurt 1938 - 1996 Basel 18 collages 1994/1995 Collages on cardboard Each signed and dated on the reverse Collage: 21 x 15 cm Frame: 40 x 34 cm Elaborately framed under museum glass Provenance: Estate of the artist Authenticity confirmed in writing Exhibitions (selection) 2023 Kunsthandel Draheim, position berlin art fair 2023 Galerie Jörg Schuhmacher, Frankfurt am Main "Rolf Hans-Farbenspiel" 2022 Galerie Michael Blaszczyk, Bad Homburg, Rolf Hans, "Einblicke Hommage Reflexion" 2021 Galerie Jörg Schumacher, Frankfurt am Main "Rolf Hans-Farbwelten" 2021 Galerie Michael Blaszczyk, Bad Homburg "Sprache der Farben-Das Baseler Kabinett" 2020 Malte Ueckermann Art Dealership, Berlin Kanalidarte, Brescia "Che cosa avrebbe detto Hegel_ROLF HANS... e la Poesia della cose," Italy Draheim Art Dealership "art Karlsruhe," "Poesie der Dinge" 2019 Jörg Schuhmacher Gallery, Frankfurt am Main Galerie Blaszczyk, Bad Homburg 2018 Art Karlsruhe, Kunsthandel Draheim, Wiesbaden, Color Fields 2018 Galerie Dekker, Baden-Baden, Retrospective Galerie Blaszczyk, Bad Homburg 2017 Gallery Eklektik, Monte Carlo, Monaco 2016 Galerie Schuhmacher, Frankfurt am Main 2016 Galerie Cerny Partner, Wiesbaden (Language of Colors) Art Karlsruhe, Kunsthandel Draheim, Wiesbaden (Tachist Painting + Iron Sculptures) Galerie Rainer Klimczak, Viersen Galerie Schuhmacher, Frankfurt am Main (Black on White) 2015 Galerie Blaszczyk, Bad Homburg art Karlsruhe, one Artist show (Galerie Cerny und Partner) Gallery Eklektik, Monte Carlo, Monaco 2014 Jörg Schuhmacher Gallery, Frankfurt am Main (A Retrospective-1) Tristan Lorenz Gallery, Frankfurt am Main (A Retrospective-2) Hellhof Gallery, Kronberg im Taunus (Works from 1960–1980) Art Fair, Cologne, Monochrome Painting (Draheim Gallery Art Dealers, Wiesbaden) 2013 Kunsthandel Thole Rotermund, Hamburg (In the Force Field of Color) + catalog Galerie Kunsthandel Draheim, Wiesbaden (Painting Sculpture 1970–1990) 2012 art KARLSRUHE, one Artist show (Galerie Art Dealers Draheim, Wiesbaden) 2011 Gallery Art Dealers Draheim, Wiesbaden (In the Rush of Colors – Works from the 1960s) 2009 Ketterer Kunst, Berlin (Rolf Hans – Painting and Sculpture) Art Dealers Michael Draheim, Wiesbaden (Rolf Hans – Poetry of Things) 2008 Galerie Art Mayence, Mainz (Rolf Hans – Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main (Rolf Hans) Galerie Winterberg, Munich (Rolf Hans – The Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main, Art Karlsruhe (Rolf Hans – One Artist Show) 2007 Galerie Jörg Schuhmacher, Frankfurt am Main ("Rolf Hans in the Field of Tension of the 'Quadriga'") 2001 Kunstraum Aare, Olten ("Rolf Hans – Paintings, Sculptures, Photographs") 1999 'Kunst im Liebrüti', Kaiseraugst ("Martin Frigg and Rolf Hans") 1992 Kommunale Galerie, Schlangenbad ("Gabriele Schmolk-Hieber, Paintings – Rolf Hans, Objects") 1991 Museum Schloß Salder, Salzgitter ("Poetry of Things") 1990 Galerie Brechbühl, Grenchen ("Poetry of Things") 1985 1985 Toni Brechbühl Gallery, Grenchen ("Two Friends, Ho-Kan, Milan – Rolf Hans, Basel") Toni Brechbühl Gallery, Grenchen ("Rolf Hans – Oil...

Rolf Hans Frankfurt 1938 - 1996 Basel The Rose, 1985 Acrylic on coarse canvas Signed, dated, and titled on the reverse 178 x 145 cm Provenance: Estate of t...