LAAB Milano Chairs

M. Hayat & Brothers Pakistani, 'Safari' lounge chair, leather, stained wood, brass, Pakistan, 1970s This Safari-inspired armchair exemplifies refined elegance through its meticulou...

Cane Lounge Chair and Ottoman with Verdigris Bronze Finish Metal Legs, in the manner of Diego Giacometti, probably Italian, circa 1980s. They have been newly upholstered in an ivory ...

Post modern leather arm chair made in Germany by noted maker Schillig. The chair is executed in top quality black leather ( shows minor wear )...

Post-modern Maurizio Peregalli and Sergio Calatroni chair, edited by Zeus circa 1985, Italy. Poltrona model. Black powder-coated square steel tube, bl...

Gaetano Pesce chair for Cassina. Model: Dalila Due Plastic painted in dark red. Rare chair in the style of Gaetano Pesce 's Radicale era. It's dark and decadent.  

Stylish and sculptural Surrealist Postmodern style 1980s lounge chair newly reupholstered in super soft ivory white bouclé. The look of high art. Whimsical. Unexpected. Killer profil...

A sculptural pair of armchairs circa 1980's. These feature black rattan frames with light grey tweed cushions.

Pair of funky chairs. Unfortunately the designer or manufacturer are unknown. The seats are covered with a cherry red upholstery that is still in very goo...

Robert Venturi chair for knoll Model: Sheraton Silkscreen printed pattern on black plywood. Rare model in famous Venturi's chairs in Knoll collection.  

Black Frame with Deep Red Upholstery Add a touch of timeless elegance to your home with this beautifully designed vintage-style armchair. Featuring a sleek black tubular frame and p...

The distinctive Saturn chair is a return to the split sphere concepts Bohinc originally created for her jewelry collections such as Sun and Moon (2007) an...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...