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JAD Antiquités Décoration Paintings and Screens

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Indo-Persian miniature on paper – erotic scene – 19th century
Located in Beuzevillette, FR
Painted manuscript sheet, inks and opaque gouache enhanced with gold on paper, text in nasta‘līq in cartouches at the top and bottom. The central composition depicts a couple embracing in a garden pavilion, with delicate treatment of fabrics and architectural decorations, and a fresh palette (blues, greens, ochres). A typical work in the tradition of Indo-Persian miniatures...
Category

Antique Late 19th Century Paintings and Screens

Materials

Paper

Japanese ukiyo-e woodblock print – Woman under Cherry Blossoms – signed Kunisada
Located in Beuzevillette, FR
A superb Japanese ukiyo-e woodblock print depicting an elegant young woman wearing a blue kimono, walking beneath cherry blossoms in spring. This poetic and refined scene perfectly i...
Category

Antique 19th Century Japanese Edo Paintings and Screens

Materials

Paper

Set of 6 Large Kakemonos Japanese Mythology, 19th Century Japan circa 1800 Edo
Located in Beuzevillette, FR
Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...
Category

Antique 19th Century Japanese Edo Paintings

Materials

Paper

Immortal He Xiangu Painting on Canvas, China, 19th Century Asian Art
Located in Beuzevillette, FR
Chinese painting depicting He Xiangu reproduced three times but with a different attribute: up a lotus flower, bottom left a fly hunt and bottom right again the lotus flower, each time surrounded by disciple the one praying right, the one on the left seems to bring him a bowl. Pigments on linen or hemp, 19th century. He Xiangu or Ho Hsien-ku, "Immortal Demoiselle He," is an immortal Taoist, a member of the group of Eight Immortals. She is represented holding in her hand a lotus symbolizing spiritual fulfillment, and sometimes also a sheng, a peach of immortality, a wooden ladle...
Category

Antique 19th Century Chinese Qing Paintings and Screens

Materials

Canvas

Asian Mandala Tanka circa 1900
Located in Beuzevillette, FR
Very beautiful tanka mandala of the 19th century painted on canvas . Buddha is in the center with the naga on his right arm, surrounded by others arranged like the rays of the sun. T...
Category

Antique 19th Century Asian Paintings and Screens

Materials

Canvas

Asian Mandala Tanka circa 1900
Asian Mandala Tanka circa 1900
$461 Sale Price
20% Off
A.Bouverat Chinese Inspired Lacquered Panel Hand-Painted 20th Century
By A. Bouverat
Located in Beuzevillette, FR
Very beautiful rare and large lacquer of Chinese inspiration. Representation of a green space with many plants such as cherry trees and magnolia. A bird crosses the lacquer with its ...
Category

20th Century French Chinoiserie Paintings

Materials

Lacquer

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Hiroshige Utagawa "One Hundred Famous Views of Edo Kameido" Woodblock Ukiyo-e
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Mughal Miniature of Shah Jahan on a Leisure Stroll, 19th Century
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Early 20th Century Japanese Cherry Blossom Screen by Kano Sanrakuki
Located in Kyoto, JP
Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...
Category

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19th C Royal Couple; Pair Chinese Pith Paintings Qing Dynasty. China, Circa 1855
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Plateau Parfleche Envelope, circa 1900
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Located in Coeur d Alene, ID
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Category

Antique Early 1900s American Native American Native American Objects

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