Leighton Fine Art Ltd Landscape Paintings

Signed and dated oil on canvas landscape by Hudson School River painter Winkworth Allan Gay. The work depicts a view of the boats of the Boston Yacht Club in Massachusetts Bay. We be...

Signed oil on panel seascape circa 1930 by New Zealand post impressionist painter Sydney Lough Thompson. The work depicts sailboats in the water at Concarneau, a commune in the Finis...

Signed oil on canvas landscape circa 1948 by French cubist painter André Lhote. The old mill depicted in the present work is located in the pine forest by La Cadière-d’Azur in the Pr...

Signed oil on panel seascape circa 1890 by Belgian realist painter Alfred Emile Leopold Stevens. The work depicts sail boats at sea under a cloudy sky. Signature: Signed lower left ...

Signed fauvist oil on canvas landscape circa 1910 by French post impressionist painter Robert Antoine Pinchon. This piece depicts a garden in bloom in summer. The garden is beside th...

Signed oil on canvas landscape circa 1905 by French post impressionist painter Leon Detroy. This beautiful piece is painted in a divisionist style and depicts two large haystacks in ...

Signed oil on canvas landscape circa 1890 by French impressionist painter Paul Vogler. The piece depicts a view of a path running through a golden hay field on a bright summer's day....

Signed pontillist style oil on canvas figures in cityscape circa 1980 by French post impressionist artist Hugues Claude Pissarro. The piece depicts a view of the top of the Pont Neuf...

Signed divisionist style oil on canvas figures in landscape circa 1906 by Russian post impressionist painter Nikolai Aleksandrovich Tarkhoff. This stunning and brightly coloured work depicts bathers enjoying a summer's day at the beach at Soulac-sur-mer on the east coast of France. Many parasols and sun tents are erected on the golden sand and the children are playing beneath the clear blue sky. Signature: Signed lower left Dimensions: Framed: 35"x41" Unframed: 26"x32" Provenance: Guy Abot, Director of the Nicolas Tarkhoff Committee, confirms the authenticity of this work which will be listed in the CatalogueRaisonné of the painted work in preparation. A certificate of authenticity can be acquired from the Nicolas Tarkhoff Committee Nicolas Alexandrovich Tarkhoff (Николай Александрович Тархов) or Tarkhov was born in Moscow on 2nd January 1871 into a family of wealthy merchants. He is three years old on the death of his mother Olga Feodorova and eight years on the death of his father Alexander Ivanov...

Signed pointillist landscape oil on canvas circa 1920 by French neo-impressionist painter Jeanne Selmersheim-Desgrange. The piece depicts a view of a French port, with boats dotted a...

Signed pointilist oil on canvas figures in landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Collioure, a p...

Signed divisionist style oil on panel landscape circa 1906-1907 by French Neo-Impressionist painter Henri Edmond Cross. This brightly painted piece depicts a view Saint Tropez. This...

Signed post impressionist oil on canvas figures in landcape by French painter Ferdinand du Puigaudeau. This stunning work depicts a mother and child in a harvested field beside two l...

Signed impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This stunning piece depicts a view of Crozant a commune located in the department of C...

Signed and dated neo-impressionist riverscape oil on canvas by French painter Leo Marie Gausson. Gausson painted this picturesque view of the River Seine running through Triel-sur-Se...

Signed and dated oil on board landscape by American impressionist painter Robert William Vonnoh. This stunning piece depicts red and orange wildflowers. This work would have been exe...

Signed fauvist oil on canvas landscape circa 1912 by French post impressionist painter Robert Antoine Pinchon. This piece depicts a blooming garden in summer. The garden is bursting ...

Signed post impressionist oil on canvas figure in landscape circa 1910 by French painter Lucien Levy-Dhurmer. The piece depicts a man in Arab dress seated on a high hillside platform praying amongst white clouds. We can see the faint online of a town below. Signature: Signed lower right Dimensions: Framed: 32"x40" Unframed: 24"x32" Provenance: Private French collection The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate from Jean-David Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...

Signed oil on canvas riverscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of a meandering river. There are two trees on the bank to the r...

Signed and dated oil on canvas coastal landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of Cap Sizun, a headland forming the western e...

Signed post impressionist oil on canvas landscape by French painter Lucien Levy-Dhurmer. The piece depicts the gardens of a Moorish Palace at evening. Painted in largely blues, there are some flowering trees in the front of the work below a much larger bare tree. Beyond that the palace sits below a starry sky. Mr. Jumeau-Lafond believes the work was likely painted in Morocco but he also stated that Dhurmer often used imagination to construct settings for his ideas. Signature: Signed lower left Dimensions: Framed: 39"x31" Unframed: 32"x24" Provenance: Private collection - France The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate of authenticity from Mr. Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...

Signed oil on board seascape by French fauvist painter Albert Marquet. The piece depicts a view of the Mediterranean sea from the city of Algiers, the capital city of Algeria. In the...

Signed and titled pointillist oil on board coastal seascape circa 1900 by Belgian neo-impressionist painter Theo van Rysselberghe. The work depicts a view of the Opal Coast, a coasta...

Signed fauvist oil on canvas riverscape circa 1912 by French post impressionist painter Robert Antoine Pinchon. This autumnal landscape depicts a view of a bridge over a river with a...

Signed and dated oil on panel landscape by Canadian impressionist painter Robert Wakeham Pilot. The piece depicts a view of rural landscape in Quebec, Canada in winter. The bare trees and the ground are covered in blanket of white snow. Blue sky breaks through the cloud above. The spire of the church from a nearby village can be seen on the horizon. This work pairs with another recorded 5 x 7 inch example painted in 1916 by Pilot that was painted near the Hotel Dieu in Quebec City - the work was likely painted in February of that year just before Pilot enlisted in the Canadian Expeditionary Force to serve on the front lines in France. Signature: Signed and dated 1916 lower right Dimensions: Framed: 15.5"x17" Unframed: 5.5"x7" Provenance: The Dominion Gallery - Montreal, Canada (stock number B2594) The Isaacs Gallery - Toronto, Canada Robert Wakeham Pilot DCL MBE RCA (9 October 1898 – 17 December 1967) was a Canadian artist, who worked mainly in oil on canvas or on panel, and as an etcher and muralist. He is known for his ability to capture the tone and atmosphere, especially at twilight, of the landscape of Quebec. Pilot is the last of the Canadian painters considered "to lend authority to Canadian Impressionism". Pilot was born at St. John's, Newfoundland, to Edward Frederick Pilot and his wife Barbara (née Merchant). In 1910, his widowed mother married the artist, Maurice Cullen...

Signed oil on canvas board figures in cityscape circa 1940 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Arc de Triomphe,...

Signed fauvist oil on canvas landscape by French painter Louis Valtat. The work depicts a field of poppies. Signature: Signed lower right Dimensions: Framed: 22"x26" Unframed: 14"x...

Signed and dated oil on canvas landscape by Flemish post impressionist painter Bernardus Henricus Klene. The work depicts a view of a path leading to a village on a summer's day. The...

Signed post impressionist figures in landscape oil on panel circa 1910 by French painter Eugene Henri Alexandre Chigot. The work depicts a mother and child outside a thatched cottage beside a pond. In the centre of the painting is an apple tree in blossom - beautifully painted in pinks, blues and greens. Signature: Signed lower right Dimensions: Framed: 19"x22.5" Unframed: 12.5"x16" Provenance: Private French collection A pupil of his father Alphonse Chigot, Eugène Chigot...

Signed and dated impressionist oil on board landscape by Neapolitan painter Ulisse Caputo. The work depicts a view of Pont des Arts bridge in Paris, France at sunrise in winter. The ...

Signed oil on original canvas landscape by French post impressionist painter Albert Charles Lebourg. The work depicts a view of rural Rouen, a city on the River Seine in northwestern...

Signed, titled and dated oil on canvas figures in landscape by Belgian post impressionist painter Modest Huys. This stunning piece depicts of workers harvesting a field on a late sum...

Signed oil on canvas riverscape circa 1980 by French artist Hugues Claude Pissarro. The piece depicts a view of boats sailing towards a viaduct on the River Seine. Painted in a divis...

Signed divisionist oil, ink and coloured pencils on paper landscape by French post impressionist painter Henri le Sidaner. This stunning piece depicts a view of the roofs of the buil...

Signed oil on canvas expressionist portrait circa 1935 by Litvak painter Mane-Katz. The piece depicts a cart filled with brightly coloured flowers of red, orange, yellow and blue blo...

Signed oil on paper laid on panel seascape c.1907 by French post impressionist painter Achille-Emile Othon Friesz. The piece is a study of a view of a boat in a quay at Normandy, Fra...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

Signed fauvist oil on canvas figures in landscape by French painter Louis Valtat. The work depicts a view of the Arc du Triomphe du Carrousel from the Louvre in Paris, France. A beau...

Signed and dated oil on board nudes in landscape by French post-impressionist painter Georges Manzana Pissarro. The work depicts nude bathers at a lake, sunbathing and paddling in th...

Signed, titled and dated oil on canvas landscape by Danish realist painter Peder Mork Monsted. This stunning piece depicts a beautiful view of the Sandvig Stand, the beach and coastl...

Signed and dated oil on board figure in landscape by Austrian post impressionist painter Stefan Simony. The work depicts a woman in a field full of wildflowers with a view of the mou...

Signed figures in landscape oil on canvas circa 1920 by British post impressionist painter William Lee Hankey. The piece depicts sail boats in La Rochelle, a seaport in the Bay of Bi...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Leon Detroy. The piece is painted in a divisionist style and depicts blossoming apple trees in an orcha...

Signed and dated oil on panel seascape by French post impressionist painter Gustave Cariot. The work depicts a view of sail boats and steam boats out at sea in the bay of Saint-Malo ...

Signed and dated oil on canvas seascape painting by French impressionist painter Maxime Maufra. The piece depicts a ship sailing on the horizon in a stormy sea at evening time. Sign...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Signed figurative oil on panel circa 1938 by post impressionist painter Jacques Martin-Ferrieres. This wonderful piece depicts people marching to Prizen in the former Yugoslavia. Mar...

Signed and titled oil on panel figures in landscape by American painter Anne Estelle Rice. This beautiful and colourful piece depicts groups of elegantly dressed people enjoying tea ...

Signed oil on canvas figures in landscape circa 1950 by French post impressionist painter Marcel Dyf. The work depicts doing a late summer harvest in Provence, France. Signature: Si...

Signed fauvist oil on canvas landscape by French painter Louis Valtat. The work depicts the floral gardens in front of the Orangery at the Chateau de Versailles. Signature: Signed l...

Signed and dated oil on canvas seascape by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of Le Havre, a port city in Normandy, France, locate...

Signed, titled and dated oil on canvas figures in landscape by post-impressionist painter Jules Le Ray. The piece depicts two women on a top of a cliff overlooking the port of La Mor...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the road leading into the village of Mereville in Ess...

Signed oil on paper laid on board figures in landscape circa 1890 by French Neo-Impressionist painter Albert Dubois-Pillet. This pointillist piece depicts and elegant couple enjoying...

Signed figures in riverscape oil on canvas by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with washerwomen in traditional Breton clothing was...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

Signed oil on artist's board riverscape circa 1910 by Belgian neo-impressionist painter Jenny Montigny. The piece depicts a view of the River Lys in winter as the sun sets. The river...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Elisee Maclet. The work depicts a view of the coastal city of Arles in the South of France from the wat...

Signed, dedicated and dated oil on panel landscape by American Impressionist painter Conrad Wise Chapman. The work depicts a lakeside view of the sun rising above the mountains in th...