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"Leda and the Swan" Wheeler Williams, Modernist, Classical Myth, American Nude
By Wheeler Williams
Located in New York, NY
Wheeler Williams
Leda and the Swan, 1943
Signed, titled and dated on the base
Patinated bronze
11 inches high x 21 1/2 inches wide
Provenance
Private Collection, Queens, New York
...
Category
1940s American Modern Figurative Sculptures
Materials
Bronze
"Untitled - Face" Lonnie Holley, Mixed Media, Found and Assembled Objects
By Lonnie Holley
Located in New York, NY
Lonnie Holley
Untitled - Face , circa 1989
Mixed media sculpture, found and assembled objects
25 x 16 1/2 x 4 1/2 inches
Since 1979, Holley has dedicated his life to the realm of improvisational creativity. His artistic expressions and musical works, emerging from adversity and challenges, but even more so from a relentless curiosity and innate need, have taken form in various mediums such as drawing, painting, sculpture, photography, performance, music, and filmmaking. Holley’s sculptures are crafted from found objects, reflecting the ancient traditions of African American sculpture...
Category
1980s American Modern Mixed Media
Materials
Wood, Paint, Found Objects, Mixed Media
"Echo" Oscar Lenz, Lyrical Early American Allegorical Female Nude Sculpture
Located in New York, NY
Oscar Lenz
Echo, 1904
Signed and dated on base: Oscar L Lenz 1904
Bronze
70 1/4 x 25 x 25 1/4 inches
Oscar Lenz was an American sculptor born at Providence, Rhode Island. He receiv...
Category
Early 1900s Academic Nude Sculptures
Materials
Bronze
"Reclining Figure" Louise Nevelson, Modernist, Human Form, Abstracted Body
By Louise Nevelson
Located in New York, NY
Louise Nevelson
Reclining Figure, circa 1943
Tattistone
8 inches high x 21 inches wide x 9 inches deep
With base 10 inches high x 21 3/4 inches wide x 9 1/2 inches deep
Provenance
T...
Category
1940s American Modern Abstract Sculptures
Materials
Cast Stone
"Stepping Out" Margarett W. McKean Sargent, Female Figure, Emerging Forms
Located in New York, NY
Margarett W. McKean Sargent
Stepping Out, 1916
Signed and dated on base
Bronze
14 x 6 x 8 inches
Provenance
Private Collection, Hingham, Massachusetts
Walker-Cunningham Fine Art, St. Louis, Missouri, 2007
Exhibited
New York, Hawthorne Fine Art...
Category
Early 1900s Ashcan School Figurative Sculptures
Materials
Bronze
"Zofar" Boaz Vaadia, Human Body, Bronze and Stone, Anthropomorphic Sculpture
By Boaz Vaadia
Located in New York, NY
Boaz Vaadia
Zofar, 1997
Bronze, bluestone, and boulder
Overall 20 x 29 x 27 inches
From the edition of 7
Provenance
Elaine Baker Gallery, Boca Raton, Florida
Boaz Vaadia is the in...
Category
1990s American Modern Figurative Sculptures
Materials
Stone, Bluestone, Bronze
"Abstract Figure with Face" Louise Nevelson, American Female, Anthropomorphic
By Louise Nevelson
Located in New York, NY
Louise Nevelson
Abstract Figure with Face, circa 1945
Incised "LN" on the reverse
Tattistone
6 inches high x 14 inches wide x 5 1/4 inches deep
Provenance
The artist
The artist's ni...
Category
1940s American Modern Abstract Sculptures
Materials
Cast Stone
"Amboseli Elephants" Larry Rivers, Pop Art Sculpture, Blue Sky, Animal Herd
By Larry Rivers
Located in New York, NY
Larry Rivers
Amboseli Elephants, 1968
Metal with airbrushing, acrylic
26 x 36 x 5 1/4 inches
Provenance
Private Collection, New York. C. 1970
Estate of the above, 2025
Born in Aug...
Category
1960s Pop Art Figurative Sculptures
Materials
Metal
"Young Woman Nude" Warren Wheelock, Art Deco, Modernist Female Sculpture Form
By Warren Wheelock
Located in New York, NY
Warren Wheelock
Untitled (Young Woman Nude), 1924
Incised signature and date to edge of base "© 1924 by Warren Wheelock"
Bronze
Sculpture: 20 h × 4½ w...
Category
1920s Art Deco Figurative Sculptures
Materials
Bronze
"Untitled (Bookends)" Steven Wolfe, Illusionistic Book Sculpture, Trompe-l
oeil
Located in New York, NY
Steven Wolfe
Untitled (Bookends), 1990
Stamped: SW 1990 2/3
Painted Bronze
6 1/4 x 7 x 4 inches
Edition 2/3
Steven Wolfe crafted sculptures and drawings of remarkable skill and vis...
Category
1990s Contemporary Figurative Sculptures
Materials
Bronze
"Aim I" Alexander Liberman, Bright Red, Large Modernist Metal Sculpture
By Alexander Liberman
Located in New York, NY
Alexander Liberman
Aim I, 1980
Painted aluminum
83 high x 26 wide x 26 deep inches
Edition of 15
Regarded as a groundbreaking Minimalist artist, Alexander Liberman created pieces t...
Category
1980s Minimalist Abstract Sculptures
Materials
Metal
"Make 300 Holes with Any Implement: This Is My Gift" Takako Saito, Concept Art
Located in New York, NY
Takako Saito
Make 300 Holes with Any Implement: This Is My Gift , 1965
Wood box containing wood frame with paper and stamped ink
3 3/8 × 3 3/8 × 1 1/4
Takako Saito is a Japanese ar...
Category
1960s Conceptual Abstract Sculptures
Materials
Wood, Paper, Ink
"Mystery Box (Boîte mystère)" Ben Vautier, Fluxus Movement Conceptual Sculpture
By Ben Vautier
Located in New York, NY
Ben Vautier
Mystery Box (Boîte mystère), 1965
Painted wood with letterpress label
3 13/16 × 2 3/4 × 2 7/16 inches
Ben Vautier was a French artist known for his text-based paintings...
Category
1960s Conceptual Abstract Sculptures
Materials
Wood, Paper
"Monument 8" Calvin Marcus, Mixed Media Construction Contemporary Sculpture
Located in New York, NY
Calvin Marcus
Monument 8, 2018
Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture
22" high x 13 1/4" w...
Category
2010s Contemporary Figurative Sculptures
Materials
Glass, Plastic, Wood, Paper, Glue, Mixed Media, Watercolor, Cardboard
"Have a Nice Day" Al Loving, Abstract Expressionist Colorful Mailbox Sculpture
By Al Loving
Located in New York, NY
Al Loving
Have a Nice Day, 1992
Mailbox, acrylic paint, rag paper
8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep
Al Loving studied painting at the University of Illinoi...
Category
1990s Abstract Expressionist Abstract Sculptures
Materials
Metal
"Poodles: Nora and Sheila" Herbert Haseltine, Bronze Dogs Animals Sculpture
Located in New York, NY
Herbert Haseltine
Poodles: Nora and Sheila, 1944, cast 1945
Signed and dated on base
Bronze with green patina
11 inches high x 17 inches wide x 6 inc...
Category
1940s Realist Figurative Sculptures
Materials
Bronze
"Kinetic Sculpture" Roger Phillips, 1985 Rotating Blue Constructivist Sculpture
By Roger Phillips
Located in New York, NY
Roger Phillips
Kinetic Sculpture
Painted iron and aluminum on walnut plinth base
44 1/2 inches high x 13 inches wide x 7 3/4 inches deep
oger Phillips was born in New York City in ...
Category
1980s Constructivist Abstract Sculptures
Materials
Enamel, Iron
"Jules Bastien LePage" Augustus Saint-Gaudens, Bas Relief of French Painter
By Augustus Saint-Gaudens
Located in New York, NY
Augustus Saint-Gaudens
Jules Bastien LePage
Bronze
14 1/4 x 10 1/8 inches
Augustus Saint-Gaudens was born in 1848 in Dublin, Ireland. His father, Bern...
Category
1880s Realist Figurative Sculptures
Materials
Bronze
"Sudbourne Premier: Suffolk Punch Stallion" Herbert Haseltine, 1927 Bronze
Located in New York, NY
Herbert Haseltine
Sudbourne Premier: Suffolk Punch Stallion, 1927
Signed left side: © HASELTINE / MCMXXVII
Bronze, dark brown patina, parcel gilding
...
Category
1920s Realist Figurative Sculptures
Materials
Bronze
"Reclining Woman" Karl Bitter, Reclining Woman with Reddish Patina
Located in New York, NY
Karl Bitter
Reclining Woman, 1897
Signed: Bitter 97
Stamped: GORHAM M F G CO.
Bronze
10.25 x 10.25 x 4 inches
Initially from Vienna, Karl Bitter first studied art at the city’s Kunstgewerbeschule and the Kunstakademie before being drafted into the Austrian army. He deserted his position in the military while on leave, and departed for New York City where he would discover considerable success. Early on, he won a competition for the Astor memorial bronze gates at Trinity Church, which awarded him enough capital to open his own studio. He went on to execute sculptures of Alexander Hamilton and Thomas Jefferson at the Cuyahoga Courthouse in Cleveland; he also created portraits of Jefferson for the state of Missouri and the University of Virginia. These commissions caught the attention of sculptor Richard Morris Hunt (who famously designed the façade of the Metropolitan Museum), earning Bitter the duty of producing the portrait medallions that now appear near the top of the museum’s grand face.
Notably, he presented at Chicago’s 1893 World’s Columbian Exposition and directed the Pan-American Exposition in Buffalo in 1901. Over his career, his artwork became more flexible – his early academy training is easily identifiable within his work, but after moving to America, conventions of Modernism became more prevalent within his sculpture. In addition to many awards, Bitter presided over the National Sculpture Society in 1906-1907, and was a member of the National Institute of Arts and Sciences, the National Academy of Design, the American Academy of Arts and Letters, the Architectural League, and the Art Commission, New York. His public work can be found at the Biltmore Estate, Asheville, NC; Gettysburg National Military Park, Gettysburg, PA; Wisconsin State Capitol, Madison, WI; United States Naval Academy...
Category
1890s Realist Figurative Sculptures
Materials
Bronze
"Untitled" Sidney Gordin, Abstract Metal Steel Sculpture
By Sidney Gordin
Located in New York, NY
Sidney Gordin
Untitled, 1958
Incised with initials
Welded Steel
15 x 10 1/2 x 6 inches
Provenance:
Eric Firestone Gallery, New York
On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...
Category
1950s Abstract Abstract Sculptures
Materials
Steel
$11,200 Sale Price
20% Off
"Hitch Hiked" Hayward Oubre, Painted Wire Sculpture, Southern Black Artist
Located in New York, NY
Hayward Oubre
Hitch Hiked, 1960
Signed on Base: OUBRE 60
Painted wire sculpture
45 H. x 21 W. x 19 D. inches
Provenance:
Estate of the Artist
Deeply at...
Category
1960s Figurative Sculptures
Materials
Wire
"The Trap" Hayward Oubre, Painted Wire Sculpture, Black Artist
Located in New York, NY
Hayward Oubre
The Trap, c. 1960
Painted wire sculpture
40 H. x 16 1/2 W. x 21 D. inches
Provenance:
Estate of the Artist
Deeply attached to his Souther...
Category
1960s Figurative Sculptures
Materials
Wire
"Untitled, " Seymour Fogel, Geometric Abstraction, Texas Hard-Edge
By Seymour Fogel
Located in New York, NY
Seymour Fogel
Untitled
Oil on illustration board construction
10 x 7 1/2 inches
Provenance:
Estate of the artist
Charles and Faith McCracken
Larry and Trish Heichel
Private Collection
Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting.
Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning.
In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958.
Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...
Category
Mid-20th Century Abstract Geometric Abstract Paintings
Materials
Oil, Board
$4,600 Sale Price
20% Off
"Tropical Parrot with Woman, " Corneille, Carved Wood Sculpture with Bird
By Corneille
Located in New York, NY
Guillaume Cornelis van Beverloo (Corneille)
Tropical Parrot with Woman, circa 1970
Signed: Corneille
Edition Number: 6 of 8
Constructed and Painted wood
39" high x 40 1/2" wide x 6" ...
Category
1970s Figurative Sculptures
Materials
Wood, Paint
"Roland, " George Sugarman, Abstract Steel Sculpture
By George Sugarman
Located in New York, NY
George Sugarman (1912 - 1999)
Roland, 1970
Patinated steel
17 3/8 x 16 x 5 1/4 inches
Incised with the artist's signature and numbered "15/17" on the underside
Manufactured by Lippin...
Category
1970s Abstract Abstract Sculptures
Materials
Steel
"Untitled (Scrap Metal 4415), " Lucien Smith Anti-War Sculpture
By Lucien Smith
Located in New York, NY
Lucien Smith (American, b. 1989)
Untitled (Scrap Metal 4415), 2013
Steel
35 x 35 x 15 inches
Provenance:
OHWOW, Los Angeles
Private Collection
Wright, 2015, Lot 139
One of the most highly-regarded contemporary artists, Lucien Smith is a name whose work people (and institutions) have been paying much attention to since he graduated Cooper Union. He produced readymade sculptures that the artist has secured and appropriated from the annual Knob Creek Machine Gun Shoot in Kentucky. Consisting of propane tanks, oil drums, automobile parts, and even a full-length truck, the metal objects have all been fired on by thousands of rounds of ammunition from handguns, assault rifles, fully automatic rifles, to a powerful Gatling Gun...
Category
2010s Abstract Sculptures
Materials
Steel
"Voyage I, " Rosamond Berg, Female Contemporary Minimalist Sculpture Artist
Located in New York, NY
Rosamond Berg (American, 1931 - 2018)
Voyage I, 1982
Mixed media construction including hand-dyed cotton cloth pouches
24 x 24 inches
Signed, titled an...
Category
1980s Contemporary Abstract Sculptures
Materials
Cotton, Thread, Glass, Wood
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Hybrid Architectural Figurative Bust in Black Cement. Anthropotectura “LarA 011”
By Jose Perozo
Located in FISTERRA, ES
“LarA 011” is a unique architectural sculpture from the Antropotectura series by Spanish artist José Perozo. Cast in black pigmented cement, this head-and-shoulders bust presents a fusion of the human figure with modular architectural volumes. The vertical extension of block-like forms emerges from the cranial area, transforming the head into a structural topography. This hybrid configuration invites reflection on the human body as both inhabited and inhabiting — a site of memory, construction, and symbolic permanence.
The formal arrangement of the sculpture is symmetrical but discontinuous, with geometric protrusions interrupting the organic contours of the face. These elements suggest urban formations, perhaps ruins or unfinished constructions, anchored to the surface of the skin. This layered structure evokes the aesthetic of posthuman figuration and resonates with speculative architectural languages often seen in anime environments — particularly those of Studio Ghibli or early cybernetic landscapes.
The matte black surface finish accentuates the raw tactility of the material. Subtle tonal variations, occasional air pockets, and manual traces from the casting process are preserved, underscoring the artist’s interest in the sculptural language of construction materials. These choices align with the conceptual underpinning of Antropotectura, a term coined by Perozo to describe his ongoing investigation into the convergence of embodiment and architecture.
About the Artist:
José Perozo (Vigo, 1978) is a Spanish sculptor with a background in Scenic Construction and Fine Arts. His practice explores how built structures can be inscribed onto the human form, merging classical figuration with a contemporary sculptural grammar. The LarA series has been exhibited in institutional and independent contexts and is currently represented by Casa das Peritas.
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Technical Details:
Title: LarA 011
Series: Antropotectura
Artist: José Perozo
Medium: Black pigmented cement with fine aggregates and acrylic fibers
Finish: Hand-tinted and sealed with matte protective varnish
Dimensions: 21 x 29 x 17 cm
Weight: 6 kg
Year: 2024
Packaging: Custom-made box (27 x 35 x 23 cm) for secure international delivery
Authenticity: Signed by the artist with certificate included
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The sculpture may be installed as a freestanding work in display niches, shelving, or plinths. Its formal and material language lends itself to architectural, conceptual, and collectible sculpture contexts, making it suitable for residential interiors, institutional settings, or design-driven environments.
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