Lobel Modern, Inc Credenzas

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

Step back in time to the enchanting world of 1940s France with this exquisite French Provincial oak credenza. Crafted with meticulous attention to detail, this compact piece captures...

Step into the timeless elegance of 1930s France with this exquisite oak cabinet. Crafted with care from solid oak, this piece showcases the refined design sensibilities of the era. ...

Harvey Probber executive credenza with four drawers, one file drawer and two open cabinets in solid walnut with mahogany edges and legs. Finished o...

Credenza, solid oak, France, 1940s. Large Art Deco Brutalist sideboard. This is a typical reconstruction piece, straight lines and quality materials. Condition report : right door i...

This stylish low credenza makes a perfect media storage console, with sliding cabinet storage and spacious drawers. The low height makes this ide...

A large wall-mounted sideboard with four paneled doors, oak wood, Italian manufacture, 1950s Designing a wall-mounted cabinet presents a unique challenge for both renowned designers...

Elegant credenza, walnut, France, 1940s. Large Art Deco Brutalist sideboard. The credenza consists of three storage facilities covered with rich wood grain. Good condition.

Simple and elegant long mahogany dresser by Harvey Probber. Five graduated drawers with solid brass pulls on the right side. Two leather doors with solid brass strips which conceal four pull out drawers and three pull out shelves...

CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane The CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane is expertly hand crafted. The Peabody collection pieces are licensed reintroductions for Craft Associates®. This cabinet is built with a solid oak frame, door fronts, interior shelf and legs. It features beautiful cane front door that have slide left to right covering an adjustable shelf. This cabinet is amazing and has perfect proportions to be used in multiple settings. It is available in custom wood and variations (different sizes). Craft Associates® Furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle chair...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...