Lotus Gallery Centerpieces

An unusual antique French iridescent Sèvres Porcelain and ormolu-mounted oval shaped centerpiece, the light jade green iridescent color Sèvres Porcelain painted with a beautiful scen...

Pair antique exceptional quality Japanese Satsuma porcelain lamps with ormolu mounts, circa 1890.

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

A 19th century Japanese Imari pattern bowl on hardwood stand Circa 1885

Vibrant Prosperity: A Famille Verte 'Flower Basket' Dish from the Kangxi Golden Age This magnificent Chinese Export porcelain dish, dating to the height of the Kangxi Period (c. 1700-1710), is a resplendent example of the famed famille verte (green family) palette. This enameling technique, characterized by its brilliant, translucent greens, yellows, and blues, reached its zenith under the patronage of the Kangxi Emperor, ushering in a golden age of ceramic production at the imperial kilns in Jingdezhen (Guest and Gray). Auspicious Symbolism and Design Mastery The dish is a feast of intricate design and rich symbolism, centered on an openwork beribboned basket of peony and lotus flowers. The flower basket motif is highly auspicious in Chinese art, being one of the attributes of the Daoist Immortal Lan Caihe, and symbolizes longevity and good fortune (Sotheby's, Lot 657, 2015). This meaning is powerfully reinforced by the inclusion of a central shou character (寿) in the basket, the Chinese ideograph for Longevity, a core wish in Chinese culture for a long, healthy, and prosperous life (Metropolitan Museum of Art). The presence of the shou character, often incorporated into designs for Imperial birthday celebrations during this era, underscores the dish's grand and celebratory intent. The radial design radiates outward with petal-shaped reserves in the cavetto, each containing detailed flowering plants issuing from rockwork, all set against a signature pale-green stippled ground (Dizi). The border completes the composition with an ornate pattern of green trellis-work punctuated by iron-red flower heads, alternating with oval panels containing various Precious Objects (Ba Gu), further emphasizing wealth and good fortune. This large dish, at over 14 inches in diameter, was one of the exquisite items commissioned for the European export market, particularly by the Dutch East India Company (VOC), where its vibrant colors and complex iconography were highly prized by wealthy clientele (Guest and Gray). The reverse, painted in underglaze blue with delicate floral sprays, maintains a link to the more traditional Chinese aesthetic. This piece is a tangible embodiment of the technical sophistication and artistic brilliance that made Kangxi famille verte porcelain...

Japanese Imari fluted porcelain plate hand decorated with floral design and gilt painted rim. Hand signed Japanese signature on bottom.

A circular French 19th century ormolu-mounted and polychromed porcelain centerpiece. Designed and inspired in the Chinese taste with birds, butterflies, foliages and flowers on a bl...

Antique French ormolu mounted cobalt blue "Sevres" porcelain centerpiece, Circa 1890.

A fine antique Chinese "Powder Blue" porcelain, mounted with very fine antique French transitional Louis XV/ Louis XVI style ormolu mounts. The porcelain Chinese Kangxi period, circa...

This handsome Japanese Imari bowl is rare for two reasons. First because of the pale colors and second because of the unusual octagonal shape with eight vignettes that surround a lar...

A very fine and large 19th century Chinese export famille verte porcelain and French figural ormolu-mounted Chinoiserie style centerpiece jardinière, in the manner of Edward Holmes Baldock (1777-1845). The circular-ovoid porcelain bowl or cachepot, maybe 18th century Jiaqing period (unverified), decorated with a blue and purple ground background with parcel gilt depicting pagodas, trees, mountains and landscape scenes, flanking scrolled handles issuing from the base and ending with a finely chased ormolu pierced acanthus rim. The two ends with a projected mask of Chinese Imperial lions or foo dogs, surmounted and raised on six finely chased ormolu masks of Bacchus satyrs flanked by seashell-like mounts. The Ormolu, circa Paris, 1880. The Porcelain circa 1800 (Maybe 18th century.) Measures: Height: 15 3/4 inches (40 cm.) Overall width: 21 inches (53.4 cm.) Depth: 17 inches (43.2 cm.) Edward Holmes Baldock (1777-1845) was a prominent London furniture dealer to the Royal Family, father of Edward Holmes Baldock. He was first listed in the London trade directories in 1805. That listing had him operating out of No.7 Hanway Street in London, where he was described as selling "china and glass". An updated listing in 1821 described his business as "an antique furniture and ornamental furniture dealer", and in 1826 as a buyer and seller of "china, cabinets, screens, bronzes etc". Between 1832 and 1837 he sold earthenware and glass products to William IV, and upon the ascendancy of Queen Victoria in 1837, sold china until his death in 1845. Baldock was one of the first antique dealers and is similar to the 18th century marchands-merciers Dominique Daguerre and Simon-Philippe. He was the father of Edward Holmes Baldock (1812-1875), a British Conservative Party politician, and of Mary Frances Baldock, wife of the philatelist W. A. S. Westoby. Famille Verte Famille verte (????, Kangxi wucai...

Nice quality hand painted Satsuma plates. Also marked at base. Condition / Overall condition: Perfect. Size 184 x 30 mm approx. Period 19th century Meiji Periode (1867-1912).