Loveday Wall Mirrors

The Coilsfield House Set of Three Late 19th Century Silvered Green Painted mirrors by Gillows Provenance: The Earls of Eglinton, at Coilsfield House, later Montgomerie House, bui...

A fine 18th Century George II Period Giltwood mirror with swan neck pediment and central cartouche retaining its original vauxhall soft bevelled mirror plate. English, c.1730 This...

A Rare and Unusual Pair of 18th Century Spanish Colonial 'Enconchado' Mirrors Veneered in Tortoiseshell and Inlaid With Bone and Mother of Pearl Made in Lima (Peru) or Mexico Circa 1720 Provenance One of the mirrors with a fragmentary label printed with "Bodmer", possibly relating to one of the branches of the Bodmer family in Switzerland, some of whom were renowned collectors of South American art The mirrors of rectangular form with ripple moulded outer borders framing tortoishell veneered inner borders inlaid with fine bone stringing and sinuous floral motifs inlaid in mother of pearl. The sight edges also veneered and inlaid with a repeating geometric motif. The mirrors are notable for the fine quality of the inlay, their unusually large size for this date, in particular the size of the plates themselves (possibly original) and the fact that they are a pair. The term 'Enconchado' comes from Spanish colonial art, particularly associated with Mexico, comprising of oil paintings inlaid with mother of pearl and other iridescent minerals. This form of art is discussed in great detail by Miguel Arisa in his essay Luminosity in Mexican Enconchado Paintings and Conceptions of the Sacred in Visual Culture and Indigenous Agency in the Early Americas, The Early Americas: History and Culture, Volume: 10 Chapter 4 (October 2021). He argues that the development of this style was an attempt to combine pre-Hispanic indigenous South American traditions regarding the sacred properties of "shiny objects" and "Baroque concepts of the miraculous", the sparkling inlay adding to the power of the European religious imagery. Mirrors such as the present pair are likewise cross-cultural objects, fusing European form and aesthetic concerns with indigenous craftsmanship to create objects of great prestige and decorative appeal. The ripple mouldings are clearly the result of a 17th century Dutch...