LXXI.gallery Asian Art and Furniture

Antique Hindu bronze sculpture of Krishna playing the flute. Circa late 19th century Exquisite lost wax bronze statue figurine depicting Lord Krishna Venu...

A wonderful Tibetan bronze seated buddha on a lotus pedestal from the 19th century. This buddha features a lovely age related patina as well as rich detailing.

A beautifully fashioned Bronze Bowl with traditional form, good weight and deep sound. The OM Mani Padme Hum Mantra, shown here in Tibetan script. OM Mani Padme Hum, sometimes trans...

Antique hand-hammered metal bronze ceremonial pot "Lota" from India. Brass water pot with fluted design in the centre narrow neck with flat rim. In India Hindu...

A stylish antique Khond bronzed metal stylized figure of an Ox dating from the early to mid 20th century made in Orissa, India. The Khonds are an indigenous Adivasi tribal commun...

A large cast bronze sculpture of a Buddha's left hand, circa 1960. Mounted on a trapezoid-shaped wood and metal stand. The gesture is known as Dharmachakra Mudra, the traditional B...

Okimono bronze sculpture of a large toad in a crouching position, possibly about to jump. The toad and the frog, referred to by the same term in Japanese (kaeru), are associated with...

Well casted and detailed vintage bronze Panchmukhi Ganesha five faces Hindu idol / sculpture, circa 1970s. The piece is in very good vintage condition with a wonderful patina and me...

A Japanese okimono bronze (sculpture) depicting a dancer holding a fan, inspired by the Nihon Buyō classical dance tradition. The long kimono and wide obi are adorned with floral mo...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This beautiful bronze okimono depicts a mouse delicately perched on a leafy radish. The mouse, resting on its two hind legs, has a long tail that wraps around the radish. Each elemen...

This stunning Koro was crafted in Takaoka, Japan where craftsmen use intricate tooling and expert kills to create the delicate details found in this piece. Crafted of bronze, this Ko...