Macklowe Gallery Decorative Arts Desk Accessories

A pair of gilt bronze “Zodiac” desk blotter ends by Tiffany Studios New York. The blotter ends each feature intricate pseudo-Celtic patterning interspersed with circular elements in ...

This exquisite “Crabe” pâte de verre glass paperweight, by Amalric Walter and Daum Nancy is decorated with a relief of a reddish-brown crab poised upon a bright contrast of green and...

This French Art Nouveau pâte de verre paperweight (or "Presse Papiers") by Amalric Walter and Henri Bergé is an earlier, and smaller version of a series of "Langouste" paperweights f...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

A pair of gilt bronze “Zodiac” desk blotter ends by Tiffany Studios New York. The blotter ends each feature intricate pseudo-Celtic patterning intersperse...

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...

This "Babouin," or "Baboon," patinated bronze sculpture by Georges Lucien Guyot, executed by Susse Fondeur in Paris is a wonderful piece that brings the architectural wonder that eve...

Among the most visually alluring and technically excellent of all Tiffany Studios New York's desk accessories, the exciting design for this refined but robustly rounded inkwell features green blown glass in pinched triangular forms that appear to dance in perfectly coordinated movement around the circumference of the piece. The negative space between the blown green glass appears in the form of stylized flowers with Minimalist linear accents in patinated bronze. Artist: Tiffany Studios New York Country: United States circa 1900 Dimensions: 3.75" height, 6.25" diameter Materials: Leaded glass, bronze Signed: "Tiffany Studios New York 25055” along with the Tiffany Studios monogram...

A French "Langouste", pâte de verre paperweight by Amalric Walter and Henri Bergé. The brown crayfish with red spots straddles a green and yellow curved base. Circa 1920. A simil...

A French Art Nouveau lighted gilt bronze sculpture by Charles Korschann, depicting a woman holding a bouquet of flowers on a tray with an inkw...

A German Art Nouveau patinated bronze figural vide poche by Bernhard Hoetger featuring a windblown nude with vines, circa 1910. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau ...

A French Art Nouveau gilt bronze vide poche by Max Blondat. Titled "An Embrace". The vide poche features the heads and torsos of a man and a woman, sweeping up from the sides of the dish. Each of the lovers has an arm around the other. Circa 1900. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau Paris, by Macklowe Gallery, The Studley Press, 2011, p. 57. Signed, "MAX-BLONDAT" Founder mark "Siot...