Macklowe Gallery Decorative Arts Chandeliers and Pendants
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Hector Guimard Gilt Bronze and Glass Lantern Chandelier
By Hector Guimard
Located in New York, NY
This French Art Nouveau gilt bronze and glass lantern chandelier by Hector Guimard, features glass panels of blue-green and amethyst, framed by gilt bronze whiplash designs. This stu...
Category
Early 20th Century French Art Nouveau Chandeliers and Pendants
Materials
Bronze
Tiffany Studios New York "Geometric" Plafonnier
By Tiffany Studios
Located in New York, NY
This Tiffany Studios New York 'Geometric' plafonnier features a captivating shade composed of geometric glass tiles that transition from warm amber to soft white, culminating in a pa...
Category
Early 20th Century American Art Nouveau Chandeliers and Pendants
Materials
Bronze
Tiffany Studios New York "Belted Turtleback" Chandelier
By Tiffany Studios
Located in New York, NY
The "Belted Turtleback" Chandelier by Tiffany Studios New York is a refined study in monochromatic expression. Separated into three distinct tiers, the conical lamp shade offers a ma...
Category
Early 20th Century American Art Nouveau Chandeliers and Pendants
Materials
Bronze
Tiffany Studios New York "Geometric" Chandelier
By Louis Comfort Tiffany
Located in New York, NY
This exquisite 12-sided chandelier, crafted by Tiffany Studios New York, is a striking example of early 20th-century American design and craftsmanship. Suspended elegantly by six pat...
Category
Early 20th Century American Art Nouveau Chandeliers and Pendants
Materials
Bronze
Pair of Tiffany Studios New York "Globe" Glass and Bronze Chandeliers
By Tiffany Studios, Louis Comfort Tiffany
Located in New York, NY
This enchanting pair of Tiffany Studios New York "hanging globe" chandeliers are composed of two reticulated glass shades. Tiffany’s idea of blowing glass through openwork bronze had evolved in the 1890s with a series of Byzantine revival fuel lamps. The technique was popularized by 19th-century Muranese Glassmakers Salvati as a derivation of the Ancient Roman cage cup (vasa diatreta). In the 4th century, Roman glassmakers encased blown glass vessels in a delicate cage of glass. In Tiffany’s version, glass is blown through an ogival pattern cage. Originating in 11th-century Byzantine textiles, the ogival pattern became established in Italy, Ottoman Turkey, North Africa, and as far west as the Balkans.
Product Details:
Item #: L-20851
Artist: Tiffany Studios New York
Country: United States
Circa: 1900
Dimensions: 7.5” length, 18" length (with chain)
Materials: Favrile Glass, bronze
Literature: A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135.
Macklowe Gallery Curator's Notes:
Tiffany’s globe...
Category
Early 20th Century American Art Nouveau Chandeliers and Pendants
Materials
Bronze
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Tiffany Studios Bronze and favrile Desk lamp
Damascene iridescent glass with greens, blues, goals and silver. Fine reticulated and patinated bronze base. Original favrile pearl heat cap. Original socket and paddle switch. A rare and fabulous table lamp.
New York c. 1910
patinated bronze, Favrile glass
Height: 20 Inches (51 cm)
Diameter: 7 Inches (18 cm)
Impressed to base 'TIFFANY STUDIOS NEW YORK'.
Etched to inner top aperture 'L.C.T. Favrile'.
Provenance: Private Collection, New York
Literature: Tiffany Lamps and Metalware, Alastair Duncan, pg. 90 illustrates base and shade
AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described.
Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll, Agnes F. Northrop and Frederick Wilson.
In 1865, Tiffany traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint".
Tiffany was an interior designer, and in 1878 his interest turned toward the creation of stained glass, when he opened his own studio and glass foundry because he was unable to find the types of glass that he desired in interior decoration. His inventiveness both as a designer of windows and as a producer of the material with which to create them was to become renowned. Tiffany wanted the glass itself to transmit texture and rich colors and he developed a type of glass he called "Favrile".
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