Macklowe Gallery Jewelry Drop Earrings

With a total diamond weight of 17.28 carats, and accompanied by GIA reports, these classic Oscar Heyman Mid-Century diamond cluster earrings are mounted in platinum. Each earring is ...

Created for Van Cleef & Arpels Paris in the 1980s-1990s by the workshop of André Vassort, these 18K gold cascade earrings are set with approximately 4.00 carats of diamonds. Designed...

Created in the late 1910s to 1920s, these diamond and seed pearl chandelier earrings are set in platinum. Each earring is designed as a fully articulated cascade of tiered diamond el...

Made circa 1925, these Art Deco platinum, lapis, and jadeite pendant earrings were created in Paris. Each elongated, articulated form is designed as a circular diamond top suspending a cascade of tapering old single-cut diamond links highlighted by a jadeite "bi" and a lapis drop, with millegrain accents and original screwback findings. Graceful and lightweight, these extra long, classic French Art Deco earrings are exquisitely made, comfortable, and imbued with colorful, sparkling movement. Item #: ER-21789 Country: France Circa: 1925 Dimensions: 3.00" length, 0.50" width. Materials: Lapis lazuli; Jadeite; 36 old single-cut diamonds (approximate total weight 0.86 carat); Platinum Gram Weight: 9.5 g. Signed: French assay marks for platinum, Victor Réard maker's mark on findings Macklowe Gallery Curator's Notes: These delicate and lively pendant earrings are rare survivals from the Art Deco period. They were among the most beloved styles of the 1920s, their markedly elongated forms complementing short hair styles and vertical flowing gowns with flexible trim. Very often, 1920s earrings were shortened later, falling victim to changing hairstyles and couture. On the original findings is the mark of a specialist Parisian workshop located in the Marais, Victor Réard. The workshop was founded in 1921 as the ultimate successor to Achille Leroy. Historically, the workshop had produced refined parts and materials- enamels, secret closures, special necklace clasps, stone mountings, and other findings, for important firms such as Maison Boivin.

Dating from the 1980s, these Van Cleef & Arpels earrings are composed of Tahitian and South Sea pearls, 18K gold, and over 12 carats of diamonds. Each is designed as a Tahitian pearl...

Created in the 1980s, these Fred pendant earrings are composed of 18K gold and diamonds. Each bombé-form earring is designed as pear-shaped top suspending lines of flexibly-set diamo...

Made in England circa 1850, these 15K gold pendant earrings are set with amethysts and chrysoberyls. Each is designed an ovoid top suspending wirework spiral and leaf motifs, highlig...

A French regional design, dating from the first half of the 19th century, these "Milanos" or "Mille Anneaux" pendant earrings are formed of 18K gold...

Created circa 1870, these flexibly-set old mine-cut diamond pendant earrings are mounted in silver-topped 18K gold. Set with 96 old mine-cut diamonds, with an approximate total weigh...

Created in the 1990s by Bulgari Rome, these 18K gold pendant earrings are composed of pink and purple tourmalines, peridots and diamonds. Each earring is ...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

An Austro-Hungarian Etruscan Revival 18 karat gold necklace. The necklace is composed of 20 wire and bead-work embellished cones. Circa 1880's. In Italy, goldsmiths had been reviving the Etruscan Archeological-style jewelry unearthed at Pompeii and the Greek jewelry found in the Museo Bourbonico since the early years of the 19th century. Along with the Italian Etruscan Revival jewelry, archeological revival...

An English Victorian 18 karat gold and amethyst parure of a rivière necklace and drop earrings. The rivière features 20 deeply-colored oval amethysts o...