Maison Gerard Slipper Chairs

Amazing pair of 1960's mid-century modern sabre legs mahogany slipper chairs, fully restored and re-upholstered in velvet, with minor wear and patina due to age and use.

A chic French Art Deco low slipper chair, circa 1925. Of modernist design with two slanted cushion held in a cubist wood base to appear floating. Dimensions: H 53cm x D 53cm x W 4...

Of typical form, raised on legs ending in casters.

Pair of stylized satin lacquered and shell inlay slipper chairs newly upholstered in a white luxe faux fur fabric with bolster pillow.

A sharp matching pair of lounge chairs designed by Warren Platner and produced by Knoll Associates. They feature bronzed steel frames and neutral beige tweed upholstery. All original...

Classic Art Deco, Hollywood Regency style slipper chair, designed by Barbara Barry for Baker Furniture, circa 1980/90's. This voguish chair is in excellent, original, clean and ready...

Very comfortable Mid-Century Modern lounge scoop chair on stainless steel base in the style of Milo Baughman.

Westnofa Scandinavian rosewood lounge chair & ottoman by Ingmar Relling A Mid-Century Modern lounge chair and ottoman made in Nor...

Architectural modernist slipper lounge chair by Craftsman's Village.

One mid-century modern armless lounge chair designed by Jens Risom for Knoll originally in 1946. This early design has a hard maple frame with new linen upholstery.

Roberto Lucci and Paolo Orlandini for Elam, lounge chair model 'Le Farfalla', lacquered steel, fabric, plastic, Italy, design 1974 The designer duo Ro...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...