Mastromauro Japanese Art Ceramics

An exceptional Japanese Satsuma miniature spool shaped pottery teapot and cover finely hand enameled with Kozon mark and dating from around 1880. This delightful teapot has an invers...

Pair Japanese Satsuma hand decorated lidded cups Measures: 3.25" x 4.25" 3.5" x 4.5" Signed on bottom.

Exquisite Japanese contemporary decorative porcelain vase, hand painted in underglaze blue on a beautifully shaped body in pure white, a signed piece by widely acclaimed master porce...

Classic Chinese blue and white porcelain jardinière with hand painted cobalt decoration. The white porcelain with painted Dragon a...

Japanese hand crafted glazed pottery dragon vase

Antique Japanese Satsuma Vase – Hand-Painted Warrior Scene, Meiji-Era Masterpiece. Japanese Satsuma ceramic vase with polychrome decorations of Japanese men and soldiers in armor. Go...

JAPANESE SATSUMA PROCESSIONAL VASE From our Japanese collection, we are delighted to introduce to the market this Japanese Satsuma Vase by Kinkozan. The vase with a compressed body ...

Fabulous Japanese vases with an all around scene of lovely ladies, 19th century. Marked at base, ?? Yasui Condition Overall condition vase 1 perfect, just some minimal enamel...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

Fine quality large pair of antique Japanese imari vases having a quality large pair of antique Japanese imari vases, decorated with flowers, leaves, trees, insects, birds and scrolls...

This Chinese blue and white Meiping vase is not only a masterful example of ceramic artistry but also a tribute to traditional craftsmanship. Meticulously hand-painted and exceptiona...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...