Mcm Interiors and NoRepro Coffee Cocktail Tables

“Annika” coffee table by Bruno Mathsson, made from birch with a round root table top. Beautiful curved legs. This is an early edition made in the 1930s, gra...

Small round coffee table model Annika designed by the Swedish furniture designer and architect Bruno Mathsson (1907-1988). The table is made of birch with masur birch on the top The...

Occasional table model "Annika" designed by Bruno Mathsson and manufactured by Dux, Sweden. Birch and Karelian birch. Dimensions: H: 42 cm / 1' 4" D: 65 cm / 2' 1''

A round curly birch-veneered “Annika” coffee table designed by Bruno Mathsson and produced by Dux in Sweden. The table has a light, functional form with a circular top and slender, t...

Beautiful set of coffee tables or nesting tables designed by Bruno Mathsson for Firma Karl Mathsson, Sweden, during the 1950s. Elegant design. Curly birch top with beautiful cond...

Bruno Mathsson (designer) Karl Mathsson, Värnamo, Sweden (manufacturer) 'Annika' low table, designed 1936. Curly birch top on laminated birch legs. Stamped to underside 'MADE IN SW...

Annika petite cocktail or coffee table designed by Bruno Mathsson (1907-1988) and introduced in 1966, crafted from birch wood with elegant cabriole shaped legs. With the stamp of th...

Coffee table by Bruno Mathsson, made from birch. Very low design, with elegantly rounded corners and curved legs.

From the Annika series. 1950's. Stamped. Patinated wood. As the descendant of four generations of Swedish master cabinetmakers, Bruno Mathsson was born to design furniture. Mathsson was known as a methodical perfectionist who made usefulness the fundamental attribute of his works, yet he was also a ceaseless experimenter, who constantly searched for improvements in form, materials and methods of making. Like the Finnish designer Alvar Aalto, Mathsson was one of the first Scandinavians to embrace undulating, biomorphic forms in furniture. His early pieces such as the Eva and Pernilla series of chairs incorporate dramatically flowing bent beechwood frames, making them some of the most instantly recognizable works of 20th-century design. Mathsson was also a pioneer of ergonomics — he is said to have based the contours of his chairs on the impression his body made when he sat in a snow bank — and used supple, accommodating woven webbing for seats. His concern for practicality is shown by pieces such as the Maria table. An elegant design with gate legs and hinged leaves, the table measures more than nine feet long when fully extended, but folds down to just nine inches in thickness. From the mid-1940s through the 1950s, Mathsson focused on architecture, designing and building houses with insulated, triple-glazed window walls...

Occasional table ‘Annika’ designed by Bruno Mathsson for Karl Mathsson, Sweden. 1967. Birch and Oregon pine top. Stamped. This round “Annika” oc...

Birch coffee table designed by Bruno Mathsson with original markings. Original coffee table designed by Bruno Mathsson, with identifying mark present under the top. Light-colored wo...

Bruno Mathsson for Karl Mathsson, coffee table, model 'Annika', ash, Sweden, 1950s. This coffee table, named 'Annika', is complemented with bent plywood with ash veneer legs executed in a fluently curved and tapered manner. These light legs are elegant and give this piece its unique appearance. The top is exquisite, the rounded edges really finish the table beautifully. Simple yet very tasteful, a great piece to furnish your living room or lobby. This table is the large version of the two models with a diameter of 105 cm (41.34"). Bruno Mathsson (1907-1988) was born in Sweden as the son of a cabinetmaker. His interest in architecture and furniture design developed early in his life. From his first designs on Mathsson was eager to use new, innovative techniques and soon became specialist in bending of laminated wood. In 1937, he was represented at Expo Paris where he won the Grand Prix for his bed called ‘Paris’. This Expo helped Mathsson to get known worldwide. The manager of the MoMA design department got interested in his designs and started to collect and exhibit his pieces. Moreover, he did collaborations per example with Piet Hein and together they developed the ‘Superellipse’ table...