McNaught Fine Art Still-life Paintings

Signed lower right, 'Anna Lee Stacey' (American, 1871–1943) and dated, verso, 1924. An elegant and substantial still-life depicting apple blossoms elegantly and informally arranged b...

Signed lower right 'Schyl' for Jules Schyl (Danish, 1893-1977); additionally signed, verso, and dated 1952. This pioneer of Fauvism in Sweden worked as a painter, graphic artist an...

Signed lower left, 'Irv Smith' for Irving T. Smith, (American, 20th century) and painted circa 1965. Irving Smith was an American Modernist painter who exhibited in Florida galleri...

Signed, verso, 'Tom Kraa' and dated 1987 on stretcher; bearing original gallery label verso with artist name, date and title, 'Funny Money'. Previously with: DW Gallery, Dallas, Texas An exceptional trompe-l'œil still life showing illuminated party lights, United States currency and a crossword puzzle against the backdrop of a sheet of pegboard. This little known artist exhibited with the prestigious DW Gallery in Dallas in the year before it closed. Along with several other women, Linda Samuels (formerly Linda Surls) started the DW Gallery (DWG) as a small women's co-op at McKinney and Hall streets in 1975. In the first few years, the gallery was staffed by member artists, each of whom worked three days a month and paid a $33 monthly fee toward overhead costs. Throughout its 13-year history, the gallery developed a reputation for recognizing raw talent and eventually became one of the nation's most respected showcases for contemporary regional artists. DWG was the first to exhibit several "new" artists who are nationally recognized today, including Lee N. Smith, David Bates, and Clyde Connell. The gallery was also successful at promoting up-and-coming Dallas artists such as David McManaway, John Hernandez, and Sam Gummelt. In 1978, the gallery was incorporated after receiving backing from founding member Lou Alpert (formerly Frederickson). By 1980, when director Linda Samuels moved to California, the gallery had expanded twice. In 1981, Diana Block succeeded Samuels as DWG director. Under Block, the gallery continued its successful theme exhibits, including a popular Book/Art exhibition. In 1983, DWG expanded to a new space on Main Street in Deep Ellum and opened a bookstore in a renovated warehouse. In 1986, when the gallery again needed to expand, it moved to new space on Canton and Oakland Streets rented from John Tatum, Dallas developer and major stockholder in DWG. After a dispute over the lease, the gallery closed in September 1988. By this time, its operating budget had increased from $24,000 to $100,000 since 1981, with investors contributing less than 25 percent of the annual budget. The closing exhibition, The Last Show, was guest-curated by founding member Linda Samuel. It featured recent works by each of the 28 artists associated with the gallery over the past year. The gallery received postcard tributes from more than 80 artists who had exhibited there through the years, including Bob Wade, Peter Julian, Gilda Pervin, James Surls, Benito Huerta, Dan Rizzie, Danny Williams, Bill Komodore, and Frank Tolbert.

Signed lower right, 'Eleida Ashcraft' for Eleida Bosler Ashcraft (American, 1875-1940) and dated 1931/2. Framed dimensions: 23.5 H x 2.5 D x 25.25 H inches Displayed in a carved 22kt...

Painted in 2014 by Elana Ryznar (American, born 1992) and stamped, verso, with certification of authenticity. An elegantly muted still-life showing a dramatically lit view of a pea...

Signed lower right, 'Gerbino' for Rosario Urbino Gerbino (Italian-American, 1900 - 1972) and painted circa 1935. Born in Italy, Rosario Gerbino first...

Signed lower left, 'M. Streckenbach' for Max Theodore Streckenbach (German, 1863-1936) and painted circa 1900. Framed dimensions: 37 H x 3 D x 33.25 W inches Born in Eckernförde, Ge...

Signed lower left, 'Paulo Montano' (American, 20th century) and painted circa 2015. A substantial, Jeff Koons derived Pop Art study of an iconic pink balloon dog on a Salvatore Ferragamo pedestal contrasted against a background of ivory curtains...

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

Signed and inscribed lower right, 'Johannes Me Fecit' and dated '72', stamped verso with Lion Passant seal. A charming and loosely painted study of spring flowers shown informally a...

Born in Hunan, China, Annie Peony Zhang studied at the Guangzhou Academy of Fine Arts and, for over 30 years, has been integrating her Chinese Classical training with modern Western ...

Signed lower right 'L. Laubender' for Lorraine Laubender (American, 1921-2011) and painted circa 1960. Vintage art exhibition label verso. A vibrant Modernist still-life by this lis...

Signed lower right, 'Sharon Hinckley' (American, 20th century), a listed artist and painted circa 1975. A period watercolor vignette of a sun-dappled clapboard house adorned with co...

A mid-century oil painting of red and blush pink rose blossoms contrasted against an olive-mauve background. An exceptionally sensitive botanical study by an unknown hand.

Signed Lower right 'Cone'; titled verso, 'Hallo Kitty' and dated 2010. A vivid still-life of a pair of Marciano 'Guess' faux leopard-skin pumps with purple linings shown dramaticall...

An atmospheric watercolor still-life showing lemons, flowers and other objects gathered around a teapot. Signed lower right, "Van Winkle" for Chris Van Winkle (American, 20th century) and painted circa 1985. Van Winkle studied with Robert E. Wood and Milford Zornes...

Signed on old label, verso, 'Anthony Cooper' (Lithuanian-American, 1907-1992), titled, 'Spring Bouquet' and painted circa 1955. Antanas Skupas, also known as Anthony Cooper, attende...

Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill and Tom Birmingham...

Signed verso, on stretcher bar, 'Janice Haefner' (American, 1919-2002) and painted circa 1960. A substantial mid-century, Expressionist figural abstraction showing two women seated ...

Signed lower right "Sally Mack" (American, 20th century) and painted circa 1975. Painted on Arches paper. A vibrant, Post-Impressionist still-life showing branches of cherry-blossom...

A powerful American Expressionist School study of poppies shown informally arranged in a lilac container. A heavily-impastoed oil showing bravura brushwork and demonstrating an elega...

Signed lower right 'Jane Taylor' (British, 1925-2013) and painted circa 1965. Titled, verso, on Royal Society of Painters in Watercolors exhibition label: "Pottery Mug With Carnati...

Signed lower right, 'S. L. Kramer' (American, 20th century) and painted circa 1960. A mid-century, oil still-life showing a bouquet of spring flowers informally arranged in a glass ...

Painted circa 1965 by Virginia Sevier Rogers (American, 1916-2015), a listed artist. Stamped verso with certification of authenticity. A vibrant oil still-life of daffodils and an ...

Signed lower left, 'J. Bedwell' for Jeanette Bedwell (American, 20th century) and painted circa 1975; additionally signed, verso, on canvas. A vibrant, mid-century oil still-life b...

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Signed lower left 'Jon Blanchette' (1908-1987) and painted circa 1955. An elegant still-life of apricot-pink roses shown informally arranged in a plum-colored vase contrasted agai...

A substantial, mid-century oil showing sunflowers informally arranged in a glass vase. An accomplished tonalist work with delicate color and animated, calligraphic brush-work showing...

Signed lower right, 'Myra Dorn' for Myra Dorn Eastman (American, born 1953) and dated 1994. A Large and dynamic Expressionist figural painting of a young woman, shown nude and seate...

A substantial, mid-century Post Impressionist oil still-life comprising a fish on a platter with four lemons, a raffia-wrapped bottle of Italian chianti, a wine glass and a slab of c...

Signed lower left, 'Davenport' for Jill Davenport (American, 1930-2019) and painted circa 1985; titled, verso, 'Attic Series- Yellow'. Framed dimensions: 28 x 1.5 x 25 inches. Born in Kansas, Jill Davenport moved to California in 1963. A lifelong artist and art enthusiast, she raised a family before focusing, in her early forties, on her vocation as an artist. In 1976, she graduated from Sonoma State University with a Bachelors in Art, subsequently continuing her studies with the California Post-Impressionist, Maury Lapp...

Signed lower right, 'Esther Lyne' (American, 20th century) and painted circa 1955. A sensitively painted Post-Impressionist oil still-life showing a view of a hand-painted creamware...

Signed lower right, 'Carolyn Miller' (American, 20th century) and painted circa 1975. A substantial, Post-Impressionist oil still-life showing a view of various objects, including yellow orchids informally arranged in a purple vase, set on a table draped with a striped and floral tablecloth. A striking modernist work by this well-exhibited Colorado woman artist. Carolyn Miller first studied at the Art Students League of Denver as a student of Quang Ho, Mark Daily and subsequently, with Stephen Quiller, Richard Schmid, Fran Larsen and Carl Dalio. She has exhibited widely and with success and is the recipient of numerous prizes, medals and juried awards. EDUCATION BA, Stephen F. Austin University Nacagdoches, TX MFA, University of Northern Colorado Greeley, CO PROFESSIONAL EXPERIENCE 1988-1997 - Director, Carolyn Miller Artists' Workshops and Retreats, LLC Denver, CO 1974 - Art Faculty, University of Northern Colorado, Denver Extension School Campus Denver, CO 1962-1975 - Art Faculty, East High School Denver, CO PUBLICATIONS July 2008 - Southwest Art Magazine Artist to Watch - Landscape Issue December 2003 - Southwest Art Magazine Artists Painting Food Still Life March, 1996 - The Artist's Magazine "Planning to Paint Abroad" by Carolyn Miller. Advice on preparing for and making the most of your foreign art adventure. Summer 1996 - WATERCOLOR AN AMERICAN ARTIST PUBLICATION "A Positive View of Negatives" by Bonnie Iris EXHIBITIONS 2011 Oil Painters of America Western Regional Exhibition, Lee Youngman Gallery, Calistoga CA 2010 Plein Air Artists of Colorado Annual Exhibition, Saks Gallery 2009 Plein Air Artists of Colorado Annual Exhibition, Allen Award, Saks Gallery May 2009 27th Annual Oil Painters of America Exhibition, Sage Creek Gallery, Santa Fe NM May 2006 Salon International, Greenhouse Gallery, San Antonio TX October 2005 Oil Painters of America Central Regional Exhibition, Snowfire Gallery, Estes Park, CO September 2005 ARTS FOR THE PARKS, Jackson WY May 2005 Denver Botanic Gardens Poster Publication,Denver, Colorado May 2005 Colorado Governor's Invitational, Loveland CO November 2004 - Art & Soul, Art Students League of Denver, Denver, CO July 2004 Light and Shadow Group Show, Abend Gallery, Denver, CO May 2004 13th Annual Oil Painters of America Exhibition, Kirkland WA August 2003 Rocky Mountain Plein Aire Painters Exhibition, Estes Park, CO June 2003 Oil Painters of America Minature Exhibition, Santa Barbra, CA May 2003 12th Annual Oil Painters of America National Exhibition, Taos, NM March 2002 Salon International Exhibition-Greenhouse Gallery, San Antonio, TX August 2002 Beaver Creek Art...

Signed lower left, 'Clifford Holmes' (American, 1876-1963) and created circa 1955. Titled, verso, 'Mixed Bouquet' and inscribed with artist's Hayward, California address. The desce...

Signed lower right, 'Rochelle' for Rochelle Tietze (American, born 1952); additionally signed, verso, 'Rochelle Tietze', dated '1994' and titled, 'Spring Bouquet II'. A large and vi...

Signed lower left, 'Vera' and painted circa 1975. A bold and vivid Post-Impressionist still-life painted with a bright palette and bravura brushwork. Vera Indenbaum painted and exh...

Signed lower right, 'Nira Moblad' ( American, 1920-1993) and dated 1964; additionally signed verso. A substantial and dynamic, semi-abstract still-life of Lilies and Honeysuckle by ...

Signed lower left "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A substantial, early twentieth-century Impressionist still-life of blue ast...

Signed lower right, 'A. Delmar-Oberth' for Alice Delmar Oberth (American, 2010-2000) and dated 1978. Alice Oberth and her twin sister danced together at New York's Metropolitan Oper...

Painted collaboratively in 2022 by father and son artists Anthony and Michael McNaught and signed, verso, Anthony McNaught (American, born 1952) and Michael McNaught (American, born ...

Signed lower right "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A fine early twentieth-century oil still-life of white and yellow daisies ...

Signed lower left, 'Roger Derieux' (French, 1922-2015) and painted circa 1960. Born in Paris, Roger Derieux first studied at the Académie de la Grande Chaumière and, subsequently, ...

Signed lower right, 'Ethelyn Pratt Cobb' (American, 1884-1973) and dated, verso, 1962. Additionally signed and inscribed, verso, 'Tropical Flowers in our cabin in Hawaii - before cro...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

A substantial, Post-Impressionist oil still-life showing a view of various objects including fruit, a glass bottle and a sea-shell assembled on a draped table-top. A dynamic and vibr...

Signed lower center, 'Widman' for Harry Widman, Jr (American, 1929-2014) and painted circa 1956. Exhibited: Artists of Oregon, Painting and Sculpture Show, Portland Art Museum, Oregon, 1956, (from old exhibition label verso). A notable painter in his own right, Harry Widman was also a pioneer of Oregon Modernism and taught at the Portland Art Museum School starting in 1960. After being appointed dean, he oversaw its transformation into the Pacific Northwest College of Art. At the Museum School, he worked with artists Louis Bunce, Michele Russo...

Signed lower left, 'Davenport' for Jill Davenport (American, 1930-2019) and dated 1987; titled, verso, 'Attic Series - Pink Dress'. Framed dimensions: 31 x 1.5 x 25 inches Born in Kansas, Jill Davenport moved to California in 1963. A lifelong artist and art enthusiast, she raised a family before focusing, in her early forties, on her vocation as an artist. In 1976, she graduated from Sonoma State University with a Bachelors in Art, subsequently continuing her studies with the California Post-Impressionist, Maury Lapp...

Signed lower right, 'Van Pitterson' for Lloyd H. Van Pitterson (Jamaican, 1926-1997) and created circa 1985. Additionally, inscribed, verso, 'Pink Balcony'. Born in Jamaica in the West Indies, Lloyd van Pitterson worked in the rum industry for twenty-two years while studying and painting in his spare time. In 1965, he decided to fully commit himself to a career as a fine artist and first studied with Edna Manley...

Signed lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pac...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Phot...

'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926. Deutsch bega...

Signed lower right, 'I. Stry', for Irene Stry (Hungarian-American, 1904-1963) inscribed verso and painted circa 1960. Irene Stry worked in Provincetown and Truro from the 1930's to ...

Signed center left, 'S. Calpestri' for Shirley Calpestri (American, 1915-2002) and painted circa 1965; additionally signed, verso, on canvas with artist label. Shirley Calpestri fi...

Signed lower right, 'Jane Chenoweth' for Jane Chenoweth (American, 20th century). Oil botanical showing a field of vermilion poppies with white and gold daisies contrasted against ...

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Signed lower right, 'Vantore' for Erik Mogens Christian Vantore (Danish, 1895-1977) and painted circa 1945. Born in Copenhagen in 1895, Mogens Vantore first studied with his father,...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled, verso, on old label, 'Opstilling' (Still Life) and dated 1949. Exhibited: Landmandsbankens Kunstforen...

Signed lower right, 'A. Minewski' for Alexander Minewski (American, 1917-1979) and painted circa 1950. Born in Detroit, Alexander Minewski left home at the age of 14 to work in the circus. He subsequently worked as a sign painter and a logger. Minewski first studied at the Society of Arts and Crafts in Detroit (1936-1939) and received scholarships that allowed him to attend the Art Students League in New York City (1939-1942). There, he studied under artists including Jean Charlot, Ernest Fiene, George Grosz and Vaclav Vytlacil. During World War II, Minewski joined the army and fought as a combat engineer. Wounded in Burma while fighting with Merrill's Marauders, he spent two years there recovering from his wounds. Following his time in Burma, Minewski studied for two years on the G.I. Bill in Paris at the Académie de la Grande Chaumiere (1950-1952) and, independently, with Hans Hofmann in New York City (1952-1953). Hofmann was influential on his style and his work shifted away from a moody realism towards a fuller expressionism. In 1954, Minewski began spending his summers at the artist’s colony in Monhegan Island, Maine. While there, he was able to work and collaborate with other artists and friends such as Ted Davis...