Mid Modern Design srl Bookcases

The LB7 "Infinito" bookcase by Franco Albini for Poggi is an iconic creation of 1950s Italian design. This bookcase, designed in 1957, bears Albini's distinctive signature with its c...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Mid-Century Modern 1960s George Nelson designed for Omni Systems, this is part for a wall unit, Two Drawer File Cabinet in oiled walnut, no hardware. I nee...

Franco Albini Modular bookcase model "LB7" Production Poggi Pavia 1957 This bookcase has two storage modules, one divided into 4 sections and the other with a shelf. Plus two shelves...

That is a one-of-a-kind piece. Unique and outstanding, it holds a museum exhibit quality. An artefact for collectors and connoisseurs. A piece without any compromises. Highly valuabl...

An Italian model MB 51 sideboard designed by Franco Albini for Poggi. Made of solid teak with a minimalist design and sharp lines.

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Italian bookcase metal base . Extra tall, two cabinets and wooden shelving. Can be easily disassembled for shipping. USA in Home delivery 2-4- weeks...

A furnishing system made entirely of wood, designed by Angelo Mangiarotti in 1953. Its distinctive feature is a trestle in the shape of an upturned “V”, which means it is superimposable by means of a siply gravity joint, and whose special perimeter section can accomodate bookshelves on which closed containers...

Mathieu Matégot 'Démon' 4-Shelf system for GUBI in black ash. The Démon Shelf, or the Biblio-Démon in Matégot’s original 1954 sketches, was part of a “plan d’execution de la bibliothèque," or his ideal model of an interior home library and study...

Rare bookcase designed by Angelo Mangiarotti for Skipper. Structure made of Carrara marble. The bookcase is part of the "Loico collection" for the Skipper factory Italy 1970s . Compo...

A 20th Century sleek Italian wooden chest of drawers by Ico Parisi for Mim Roma, leading advocates of minimal and conceptual furniture design in the 1950s. Ico Parisi (1916–1996) wa...