More Timeless Desk Accessories

Rectangular tray with rounded corners in 925/1000 sterling silver with translucent fired enamels with two-tone stripes on guilloche and hand engravings, cm. 9.5 x 18. For fountain pe...

The inkwell, rectangular in shape, was completely handmade obtained from a silver plate and finely embossed and chiseled with scrolls and flowers, typical of the Italian Baroque of t...

A fine French vintage limited edition Saint Louis red and white Lilies of the Valley on turquoise ground. The glass paperweight has facet cup windows to the ...

Elegant Vintage Cartier 18ct Gold Plated Black Vendome Trinity Oval Rollerball Pen Made in Paris, France Item Is Sold With Original Red Gold Leather Box.

An extremely scarce early Villeroy & Boch pottery deskset stand. The pristine German antique, circa 1860, was masterfully handcrafted in Mett...

Biro in argento massiccio, completamente lavorata a mano e incisa con volute barocche. La cura con cui è stata realizzata questa penna biro ne denota l'esperienza e la mano d'artist...

Faithful copy of the writing service by the silversmith Pietro Rubini, Milan c.1775 The inkstand is composed of a shaped tray supported by 4 rocailles feet, modeled along the entire profile by finely embossed and chiselled volutes, leaves and shells. Above the tray are two ink holders and two pen holders with spiral workmanship and highly embossed vegetable decorations. A bell in the center of the object rests on a FASTIGIO pierced with flowering vines. By Fiorentini, Argenterie di Milano - Italy for ARVAL ARGENTI VALENZA Italian silverware...

Luxurious Desk Set Ballpoint pen, fountain pen and small pocket magnifying glass in 925/1000 sterling silver with translucent polychrome fire enamels on guilloche in an early 1900s A...

This pair of vintage rollerball pens were made by the well known Montblanc factory of Germany in approximately 1990 in their classic modern style. theiThe black cased pen from this grouping is their "Meisterstruck" model with a clear tip on the cap, and a gold band around the center of the barrel with "MONTBLANC" and "MEISTERSTRUCK" in block letters. The other pen of this group with the brushed metal case is their "Starwalker" model. Both pens come with thier original fitted boxes, and we have one outer box and some paperwork. Both of these Montblanc rollerball pens...

Elevate your workspace with the Crystal Pen Tray, a modern and sophisticated pen holder for desk organization that combines the brilliance of clear crystal with polished brass accents. Minimalist yet distinctive, this tray is designed to reflect your refined taste while keeping your essentials stylishly organized. Measuring 11’’ wide, 4.25’’ deep, and 1.25’’ high, and weighing 4 lbs, this crystal pen holder for desk is compact yet substantial, offering durability and timeless elegance. The universal grooves are carefully designed to fit pens and pencils of all sizes, while the extendable brass tray slides out to provide extra space for storing paper clips, pins, or other desk accessories. This luxury pen tray holder is not just functional—it is also a decorative piece of crystal desk décor, making it an ideal choice for executive offices, home workstations, or as a stylish gift. Pair it with the matching crystal and brass business card holder...

Montegrappa, Special Reserve sterling silver rollerball pen. Made in Italy in 1996, this extremely rare pen, numbered 52 from a limited edition of 100, was designed to honor the Veneto region where Montegrappa was founded...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...