More Timeless Prints

Set of four 18th century prints of English Earls.

Gorgeous color lithograph after Max Ernst. Printed in 1971 to announce a Max Ernst exhibition at L'orangerie des Tuilieres in Paris, France. This Max Ernst Lithograph...

This example is untitled, but depicts a cat and bird with head of a woman, and is numbered 54/99 and signed and dated 1999 and is in perfect condition. The artist is Guillaume Bever...

Antique print titled 'De Wester-Kerk van binnen, naar 't Oosten, te zien. This print depicts a church interior in Amsterdam, The Netherlands. This print originates from ' Amsterdam, ...

Vintage framed numbered print Dimensions. 25 1/4 W ; 1 D ; 18 H.

L'ange à la harpe, color lithograph numbered LXXXIV/CL by Romain de Tirtoff dit Erté (1892-1990). He was born in Saint Petersburg to a famous Russian family whose father was an admiral in the imperial fleet. He moved to Paris in 1912 and took Erté (RT) as his artist's name, so as not to disgrace his illustrious family. He worked for Paul Poiret, designing costume...

Composition of 18 antique botanical prints from the iconic encyclopaedia "Histoire Naturelle" Buffon 1749-1804, each print is individually matted an...

Geometric silkscreen serigraph "Woman" by Yaacov Agam, circa 1980s, from an edition of 54, very good condition, some toneing. Dimensions: image 10.25" x 11.75", frame 21" x 20".

Jean-Michel Basquiat Color silkscreen print in its light oak frame. It is numbered 88/100 and bears the dry stamp of the publisher Rupert Jason Smith (who was Andy Warhol’s printer a...

Jean-Michel Basquiat Color silkscreen print in its light oak frame. It is numbered 88/100 and bears the dry stamp of the publisher Rupert Jason Smith (who was Andy Warhol’s printer a...

Antique Buffalo Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This handsome hand-coloured 18th-century engraving of the buffalo, titled Le Buffle, comes from the rare Dutch edition of Buffon’s celebrated Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXV in Tome XI, the image was drawn by Jacques de Sève, Buffon’s principal illustrator, and engraved by C.J. Fritsch. The plate is one of the most appealing large mammal portraits in the Buffon series, notable for its expressive character, fine engraving, and warm, atmospheric colouring. The buffalo stands in full profile on a grassy bank beneath a soft blue sky. Its muscular body, thick neck, and distinctive curved horns are rendered with precise cross-hatching, highlighting both strength and powerful form. The shaggy hair around the head and chest is drawn with exceptional sensitivity, giving the animal a lively, alert presence. Behind the buffalo, a distant landscape shows classical buildings, rolling hills, and soft vegetation—an elegant composition typical of de Sève, who often placed his subjects in idealised settings to evoke the exotic nature of these animals for 18th-century European audiences. Hand colouring in the Schneider edition is among the finest of all Buffon printings. The warm browns of the buffalo’s coat...

Jean-Michel Basquiat Color silkscreen print in its light oak frame. It is numbered out of 100 and bears the embossed stamp of the publisher Rupert Jason Smith (who was Andy Warhol’...