M.S. Rau Models and Miniatures

This exceptional objet d'art is modeled after a cannon from the siege of Mafeking, a 217-day conflict in South Africa during the Second Boer War. It is composed of silverplate over c...

An incredible and extremely rare artifact of world history, this mutton bone model of a guillotine was created during the Napoleonic wars by a French prisoner of war. Many of the inmates at the prisoner of war camps were skilled artisans long before they were soldiers, and because of the long duration of the conflict and cost of care, their captors encouraged detainees to use their skills to create objects to be sold at civilian open markets. Because of the intricacy of these fascinating objets d'art, very few of these models have survived the test of time. This masterpiece is impeccably detailed with soldiers and cannons lining the platforms. Adding to the rarity of this piece is that it has moving parts, as only a scant few model carvings were ever created with such mechanical accuracy. The soldiers have movable arms, while the guillotine features a movable "blade" for added authenticity. By many accounts, Napoleonic prisoners of war...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...