Nicholas Wolfe Wall Decorations

"3 Li Sustaining," is a white, gold, purple and gray archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on hot pre...

"1 H Sustaining," is an orange, white and gray archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on hot press rag...

Titled, "Cherries", created by Donald Sultan, 1988. Hand-signed, dated and numbered by the artist, 51/100. Very nice condition. Dimensions with the frame are 25.25" x 25.25" the imag...

For Sale: Rare Ruth Leaf Woodblock Print - "Towers Series B" Own a piece of art history with this unique and collectible woodblock print by Ruth Leaf. This signed and titled print,...

A Peter Howson limited edition framed print titled 'Holland Park' from The Underground Series derived from quick sketches which he drew while travelling a...

Set of three botanical prints from The New York Botanical Garden Print Series published in the late 1970s. Each of the images from the print s...

"2 He Sustaining," is a white, green, gray and orange archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on hot pr...

Series of Six Prints with Popular Roman Costumes by Pinelli Bartolomeo dated 1831 Acquaforti reproducing costumes and scenes of popular life in the city of Rome. In good condition, t...

Titled, "Four Pears", created by Donald Sultan, 1989. Matted, hand-signed, dated and numbered by the artist, 32/100. Very nice condition. Dimensions with the frame are 25.5" x 25.5" ...

Signed, dated, and numbered to lower right ‘15/35 Judd '74’. This work is number 15 from the edition of 35 (with one artist's proof) printed by Styria Studio, New York and co-publish...

"19 K Sustaining," is a white, gray, pink, orange and green archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on ...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing...