Original in Berlin Shelves

Extraordinary Mid-Century wall shelf in curved rattan, bamboo and wicker. This marvellous object was made in Italy in the 1960s and is attributed to the mastery of Franco Albini. Th...

Mogens Koch pair of bookcases in mahogany. Executed by Rud Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DANMARK.

Stool model Berger designed by Charlotte Perriand in 1953-61. Relaunched by Cassina in 2011. Manufactured by Cassina in Italy. Reclaiming simple materials and basic shapes, with an eye to architecture and mountain life...

Stool model Berger designed by Charlotte Perriand in 1953-61. Relaunched by Cassina in 2011. Manufactured by Cassina in Italy. Reclaiming simple materials and basic shapes, with an eye to architecture and mountain life, led to the creation of two historic design low table-stools inspired respectively by the milking stool used by mountain shepherds in the French town much loved by the author. Placed individually or in lively arrangements, the two low tables bring the pleasing lightness of solid wood to indoor settings emphasized by the continuity of the grain between the top and the edges and the countless natural variations in the wood. Each piece is made of unique solid wood, so every piece will be different from one another and not exactly as the one on the photos. Both pieces are inspired by the mountains. While the latter takes its name from the milking-stool used by alpine shepherds, the former is inspired by the French locality much loved by designer and architect Charlotte Perriand. These furnishing accessories stand out for the honesty of their simple shapes and for the concrete expression of their materials and function. The turned seat meets the stylised legs both in the Tabouret...

The LB7 "Infinito" bookcase by Franco Albini for Poggi is an iconic creation of 1950s Italian design. This bookcase, designed in 1957, bears Albini's distinctive signature with its c...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Mogens Koch set of three bookcases in Oregon pine. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/NØRREBROGADE/KØBENHAVN.

Franco Albini Modular bookcase model "LB7" Production Poggi Pavia 1957 This bookcase has two storage modules, one divided into 4 sections and the other with a shelf. Plus two shelves...

Gorgeous midcentury rectangular wall shelf in curved rattan, bamboo and hand-woven wicker. This charming French Riviera style shelf was designed by Franco Albini and produced in Ita...

This contemporary sculptural single metal minimal corner shelf is perfect for any space be it a living room, office, or bathroom. In stock: These Minimalist shelves, whether insta...

Mogens Koch two wall-mounted bookcases of mahogany. Executed by Rud Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DENMARK.

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...