Ottocento Portrait Paintings

Yves Ganne (French, 1931 - 2019) La robe a pois, 1949 Oil on board Signed and dated ‘Y. J. Ganne 4.1950’ (upper left), further signed, titled and dated ‘Vendredi 8th July 1949’ 27.1/...

Yves Ganne (French, 1931 - 2019) Portrait of the artist’s daughter, circa 1965 Oil on canvas Studio stamp on the reverse 25.1/2 x 32 cm. (64.8 x 81 cm.) Provenance: From the estate o...

Elizabeth Grandin (American, 1889 – 1970) ‘Man with red tie’, 1912 Oil on canvas Signed with studio stamp, with inventory number 333 and inscribed ‘Spain c…. 1912’ (on the reverse) 2...

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

George Fullard ARA (British, 1923 – 1973) Portrait study Mixed media on paper Signed and dated ‘Fullard / Feb 56’ (lower right) 18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.) After serving i...

French school, 17th Century Portrait of the Marquise de Grugieres Oil on canvas 26.1/4 x 21.5/8 in. (66.7 x 54.8 cm.) In a gilded composite frame, later production (possible early 1...

A striking and very intimate work created by the renowned Fauvist artist Raoul Dufy in the early 20th century, depicting his wife in 1915. This artwork is a rare and very precious ge...

This is a captivating portrait of Samuela Bergsma, executed by the Swiss artist Gottardo Segantini. Painted in the Divisionist style, the artwork em...

A very engaging Post Impressionist portrait painted in 1938 by the Belgian painter Jean Van den Eeckhoudt. The details of the work are as follows: Jean Vanden Eeckhoudt (Belgian, ...

Jeffrey Morgan (British, b.1942) Charlie Chaplin Poster paint and collage 23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.) A 1960s pop art design for a tin print f...

Jeffrey Morgan (British, b.1942) Eric Von Stroheim Poster paint and pencil 24 x 16.3/8 in. (61 x 41.6 cm.) A 1960s pop art design for a tin print for JR...

Attributed to Pierre Paul Prud’hon (French, 1758-1823) 'La belle musicienne' Oil on canvas, oval Signed ‘P. P. Prudon’ (lower left) 28.3/4 x 23.1/2 in. (73 x 59.5 cm.) Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus. In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent. A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris. Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...