Patch Rogers Tables

Aesthetic Movement 2 side table in ebonised beech. Square top with under tier shelf, turned legs with ring incised detailing with connecting turned and angled struts. After a desi...

Moresque 2 tier side table in walnut With mashrabiya panelling and decorative frieze Circa 1885 Liberty Co

Circular ‘Tulip’ design rosewood table with polished aluminium base Designed by Maurice Burke For Akana Height 73cm. Diameter 135cm Maurice Burke (1921-2013) was an entrepreneu...

Arts & Crafts 3 drawer oak hall table Brass candle holders attached to raised back rail, inset circular leather panel Designed by Ambrose Heal Circa 1910 Height 85cm. Width78...

Oak Arts Crafts refectory table three plank top with chamfered edge, four square sectioned legs on sledge base united with a through pegged tenon stretcher. Eight seater tab...

Aesthetic Movement ebonised Mahogany side table, rectangular top with moulded edge, under tier shelf with turned incised legs and turned supports. In the style of E.W. Godwin possibl...

Japanese low coffee table with stylised legs Laminated cherry wood Designed by Saburo Inui for Tendo Mokko Circa 1970s Height 33cm. Width...

Rare Cotswold School 2 tier walnut side table Ebony and holly raised chequered inlay decoration Single figured plank top Circa 1925 Height 64cm. Length 59 cm. Depth 42cm

Arts & Crafts oak dining table after a Sidney Barnsley design With butterfly jointing Carved, angled detailing and ‘hayrake’ stretcher Circa 1980 Height 76cm. Length 195cm. Heigh...

Early Arts & Crafts Wishbone Cotswold School refectory dining table in oak 3 plank top Square through-tenon jointed legs with Wishbone stretcher Maker: Sidney Barnsley Designer: Ernest Gimson Pinbury Workshop 1898 Ernest Gimson was born in Leicester, in 1864. He was articled to the Leicester architect, Isaac Barradale, and worked at his offices on Grey Friars between 1881 and 1885. Aged 19, he attended a lecture on 'Art and Socialism' at the Leicester Secular Society given by the leader of the Arts and Crafts revival in Victorian England, William Morris, and, greatly inspired, talked with him until two in the morning, after the lecture. Two years later, aged 21, Gimson had both architectural experience and a first class result from classes at Leicester School of Art. He moved to London to gain wider experience, and William Morris wrote him letters of recommendation. The first architectural practice he approached was John Dando Sedding, where he was taken on, and stayed for two years. From Sedding, Gimson derived his interest in craft techniques, the stress on textures and surfaces, naturalistic detail of flowers, leaves and animals, always drawn from life, the close involvement of the architect in the simple processes of building and in the supervision of a team of craftsmen employed direct. Seddings offices were next door to the showrooms of Morris & Co., providing opportunity to see first hand the first flourishing of Arts and Crafts design. He met Ernest Barnsley...

Hand made circular side-table in quarter sawn English Oak with three through jointed splayed flared octagonal legs united by shaped rails, two plank oak quarter-sawn top. This is an ...

Cotswold School oak dining room suite Six seater oak table has 4 faceted 12 sided legs joined by a chamfered ‘H’ stretcher with through wedge te...

Art Deco centre table Constructed using silky oak for the sides and plinth. The table top, base and fascia are made from highly figured polla...

Cotswold School curved oak dining table with double curved stretcher Joined by 3 runs with split dowelled joints Possibly Barnsley Workshop School Circa 1980

Hand made circular side-table in quarter sawn English Oak with three through jointed splayed flared octagonal legs united by shaped rails, two plank oak quarter-sawn top with ebony detail. This table is based on a design by M.H. Bailie Scott...