Paul Boulus Interiors Seating

A fine French Louis XVI style 19th century giltwood carved three-piece salon suite, comprising of a three-corps settee and...

A set of four French 19th century Louis XVI style giltwood carved and Aubusson (worn) tapestry upholstered fauteuils a la reine armchairs. The banded oval back surmounted by a carved...

This exquisite set of vintage dining chairs, dating back to the 1940s, embodies a timeless elegance with a distinctly classic touch. The chairs feature a sleek, curved silhouette tha...

A pair of arts crafts side chairs or hall chairs, early 20th century European. Pitch pine chairs with exposed mortice and tenon joints and a striking architectural silhouette...

A 19th century French Louis XVI style giltwood settee with a floral cartouche at the top of the back, and circled in a carved ribbon motif, with fluted and tapered legs. The back and...

A fine set of four French 19th century Louis XV Rococo style giltwood carved Fauteuil à la Reine armchairs, the arched upholstered paneled backs with foliate scroll cresting and simi...

A beautifully constructed French settee from the 19th century incorporating Louis XVI decorative motifs and proportions that would also fit with Empire or Directoire tastes as well. ...

This is a beautiful vintage set of twelve Regency Revival burr walnut dining chairs that comprises ten side chairs and two armchairs. They are made of solid walnut with fabulous mar...

Very elegant set of two Baroque Chiavari nickel-plated chairs made in Italy in the 1950. Measure: 33" H back, 18" H seat.

Set of 12 Sezession Dining Chairs – 2 arm chairs, 10 side chairs - early Art Deco designed for Horne Castle of the Baron Steinlein family. Manufactured by O. Strnad. PLEASE NOTE: PRI...

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...

Rare, 19th century French Louis XVI style double oval back settee with richly carved motifs, scrolling arms and uphostered in linen.