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A Still Life at Millbank by Gordon House 1980 colorful abstract geometric
By Joe Tilson
Located in New York, NY
Colorful abstract geometric and playful screenprint in pink, red, green, yellow, tan, and blue. From a portfolio produced to commemorate the Kelpra Studio Exhibition at the Tate Gall...
Category
1980s Contemporary Still-life Prints
Materials
Screen
Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Figurative Prints
Materials
Drypoint
The pot boiling by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. One of just a few in the series that depicts a single form with such complexity, drawn directly on the plate by Hockney. This is certainly an ode to Giorgio Morandi’s etchings...
Category
1960s Figurative Prints
Materials
Etching, Aquatint
Vintage Richard Hamilton Poster Davison Art Center 1973 (The Critic Laughs 1973)
By Richard Hamilton
Located in New York, NY
This poster was produced in 1973 to promote a Richard Hamilton exhibition at the Davison Art Center, Wesleyan University, Middletown, Connecticut, USA. The poster reproduces The cri...
Category
1970s Modern Abstract Prints
Materials
Offset
Kanovitz Andre champagne: vintage 1970s wood grain still life pop art style
By Howard Kanovitz
Located in New York, NY
This richly-hued screenprint depicts the ripped-open box packaging for Andre Champagne Cellars. On the side of the box is printed "Cold Duck," referri...
Category
Late 20th Century Realist Figurative Prints
Materials
Screen
Two Flies on a Bentwood Chair: colorful rainbow pop art landscape Micheal Hurson
By Michael Hurson
Located in New York, NY
A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel.
Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm
Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm
Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box.
This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph, Screen
Vintage Jim Dine tool Poster Kestner Gesellschaft 1970 (Hammers 1970) retro red
By Jim Dine
Located in New York, NY
This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...
Category
1970s Pop Art Still-life Prints
Materials
Lithograph
Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Figurative Prints
Materials
Drypoint
Flowers I Michele Zalopany, black white large abstract floral still life flowers
By Michele Zalopany
Located in New York, NY
Large scale black and white stunning abstracted floral still life with sweeping brushstrokes and draped cloth. Lush and painterly composition for minimalist, contemporary and modern ...
Category
1980s Contemporary Figurative Prints
Materials
Monotype
Flower Garden (color trial proof) James Rosenquist Pop Art in black and white
By James Rosenquist
Located in New York, NY
Based on Rosenquist’s 1961 grisaille oil painting Flower Garden, this work arranges a still life using an advertisement for gloves with part of an athlete’s torso. A number 1 can be ...
Category
1970s Pop Art Figurative Prints
Materials
Lithograph, Screen
Phillips Screwdriver (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...
Category
1970s Pop Art Figurative Prints
Materials
Drypoint
Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category
1970s Pop Art Figurative Prints
Materials
Drypoint
Drypoint: Hand saw by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...
Category
1970s Modern Figurative Prints
Materials
Drypoint
Tool Drypoint: Bottle opener by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Figurative Prints
Materials
Drypoint
Tool drypoint: Weed puller by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Figurative Prints
Materials
Drypoint
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Orchid, gorgeous signed/n silkscreen by renowned 1970s realist artist
By Lowell Nesbitt
Located in New York, NY
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Orchid, 1979
Silkscreen on wove paper
Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front
Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front
25 × 25 inches
Unframed
This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front.
About Lowell Nesbitt.
Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...
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H 25 in W 25 in
Pomegranates
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing.
About the artist:
Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler.
Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...
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"CONGREGATION OF WITS: BOX SET", 41 silkscreen prints, double-sided, custom box
By Andrew Cornell Robinson
Located in Toronto, Ontario
"CONGREGATION OF WITS, Box Set of 41 Prints", 2018, limited-edition collection of 40 double-sided silkscreen prints, plus one title print, by Andrew Cornell Robinson. There are 10 box sets in custom-made chocolate linen archival boxes with a gold stamped title. Each print is signed, stamped and editioned. The prints measure 17x17", the box 17.5x17.5".
Note the double-sided printing – surfaces of text, surfaces of image. The installation (see photos above) is a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. The artist is pleased to offer guidance on the installation, according to the collector's wishes. Or a collector may arrange personally. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language.
Initially inspired by a visit to the Talking Sculptures...
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Located in Collonge Bellerive, Geneve, CH
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1974
Dimensions: 36 x 54 cm
Edition: 220
Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187)
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Vase of Jerusalem Artichoke Flowers - Screen Print by Franco Bocchi - 1980s
By Franco Bocchi
Located in Roma, IT
Screen print on paper realized by Franco Bocchi in 1980s.
Hand signed and numbered in pencil.
Edition of 200 prints.
Excellent condition.
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H 19.69 in W 27.56 in D 0.04 in
Lemon Branch - Print by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Screen print on paper realized by Leo Guida in 1970s.
Signed in the plate.
Not numbered.
Excellent condition.
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Materials
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Pair of Hand-colored Romantic French Engravings after Francois Boucher
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By Roger Bezombes
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hand-signed and numbered by the arti...
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