Phillips Gallery Landscape Paintings

Provenance Acquired by the gallery directly from the artist Painted en plein air in the San Gabriel Mountains near the artist's home in the early summer of 2013. Signed "T. Solliday...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with light finish. Ready to Hang. Medium : Oil painting on stretched Linen. Artist : ...

Carefully ordered patterns, geometric shapes and delicate lines in light blue, lime green, indigo, pink and aqua on a luminous golden yellow background. Signed, dated and titled on v...

"Pacific Grove Glory" - Rocky Seascape Signed and dated "Coraly '06" in the lower right corner. Titled, dated, and signed "Pacific Grove Glory 2006 Coraly Hanson...

Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn’s Prospect Park or the Botanical Gardens, intriguing remnants of New York’s varied industry (grain silos...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 47' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Christopher Clark's (US based) "Bustling Alley at Dusk" is an original, handmade oil painting that depicts a dreamy cityscape that features turn of the century buildings lining an alley where throngs of people gather at cafes and walk past in the light of the setting sun. Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

Original Southern California Seascape in Oil Paint on Canvas Beautiful seascape that captures the ruggedness and beauty of the Southern California coast by Nadine Pollard (American,...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

River Landscape Painting of the Scottish Highlands by 19th Century British Artist, Alfred De Breanski Snr, (1852 - 1928). Signed on the front (l...