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Hollywood Regency Louis XV Style Double Dresser
By Maison Jansen
Located in Palm Springs, CA
Magnificent mid-century modern 8 drawer dresser with bombe front and corners with gilt bronze mounts. Beautiful flame mahogany veneers and inset marble top. The best of Hollywood Reg...
Category
20th Century French Hollywood Regency Commodes and Chests of Drawers
Materials
Marble, Ormolu
$4,320 Sale Price
33% Off
Robsjohn-Gibbings for Widdicomb Six Drawer Dresser
By Widdicomb Furniture Co., T.H. Robsjohn-Gibbings
Located in Palm Springs, CA
Wonderful mahogany six drawer dresser with ebonized handles and trim by Robsjohn-Gibbings for Widdicomb. Original label.
Category
20th Century American Mid-Century Modern Dressers
Materials
Mahogany
$4,640 Sale Price
20% Off
Pair of Chest of Drawers by Gilbert Rohde for Herman Miller
By Herman Miller, Gilbert Rohde
Located in Palm Springs, CA
A pair of three drawer chests, designed by Gilbert Rohde for Herman Miller in the the 1930's. Bleached mahogany cabinets with original padded naugahyde drawer fronts. Great detailing...
Category
20th Century American Commodes and Chests of Drawers
Materials
Mahogany, Naugahyde
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The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944.
Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle.
In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...
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