PrimoPiano Modern Tables

Mid-century desk with structure in chromed tubular metal, wooden drawers, and ground glass tabletop, designed by Osvaldo Borsani; Italian manufacturer from the 1930s. This desk prese...

Kono coffee table designed by Massimo Vignelli and manufactured by Casigliani in 1970s. Low table with supports in oxidized copper and white Carrara marble and ground glass on top. ...

Rectangular cart model C7 with a black painted steel rod frame, removable shelves in a light brown steel sheet designed by Osvaldo Borsani for Tecno Varedo, 1960s Literature: P. Bosoni, Osvaldo Borsani. Architect, designer, entrepreneur, Skira, Milan 2018, p. 596 In 1953, he founded the Tecno company, specialized in technology and innovation which was the best way to him to produce his own creations. The D70 sofa bed...

Traccia side table with structure in polished cast bronze, elliptical top in plywood finished with fine yellow gold leaf. Traccia table was originally designed by Meret Oppenheim i...

Office desk with two frontal drawers with structure in wood, top in colored glass and brass details (keyholes, keys and feet), originally designed by Gio Ponti for the offices of the...

Set of eight hexagonal coffee tables with legs in painted metal and wooden/laminate top, designed by Gio Ponti and produced by ISA, 1950s, Italy, Literature: Fabio Fioroni, Alessandr...

Set of two hexagonal coffee tables with legs in painted metal and wooden/laminate top, designed by Gio Ponti and produced by ISA, 1950s, Italy, Literature: Fabio Fioroni, Alessandra ...

Set of six hexagonal coffee tables with legs in painted metal and wooden/laminate top, designed by Gio Ponti and produced by ISA, 1950s, Italy, Literature: Fabio Fioroni, Alessandra ...

Set of three hexagonal coffee tables with legs in painted metal and wooden/laminate top, designed by Gio Ponti and produced by ISA, 1950s, Italy, Literature: Fabio Fioroni, Alessandr...

Round table model La Rosa dei Venti, part of the Mobili nella Valle series, it's entirely realized in pinewood, with inlays on table-top, it was designed by Mario Ceroli and produced...

Rocchettone side table realized in lacquered walnut wood with bright orange decorations (under the table top and on the base), it was designed by Ettore Sottsass and manufactured by ...

Rocchettone side table realized in lacquered walnut wood with bright orange decorations (under the table top and on the base), it was designed by Ettore Sottsass and manufactured by ...

Rocchettone side table realized in lacquered walnut wood with bright orange decorations (under the table top and on the base), it was designed by Ettore Sottsass and manufactured by ...

A rectangular low coffee table entirely made in wood, designed by Ettore Sottsass for Poltronova, Agliana 1960s. The son of an architect, Ettore Sottsass Jr. (1917-2007) was born i...

Large table or desk with structure in oak wood, tabletop in red laminate and brass details. Designe by Gio Ponti for Banca Nazionale del Lavoro, Italian manufacture from the 1950s. ...

A set of two Montecarlo (T12) side tables with a simple and elegant brass structure and tabletops in crystal, they are the perfect companion for any seats, beds, or desks. The brass...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

TL30 table with a round top in wood and a base in black lacquered metal, designed by Franco Albini and produced by Poggi in the 1950s. After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Set of two coffee tables with a black pedestal base in painted die-cast aluminum and an oval-shaped top in white lacquered wood. These two tables were manufactured in the 1990s in the style of the designer Eero Saarinen Eero Saarinen was a Finnish-born-American architect born on August 20, 1910. Son of an architect and sculptor, Eero went to public schools in Michigan and in 1929 joined Académie de la Grande Chaumière in Paris to study studied sculpturing. Later he studied architecture at Yale University from 1931 to 1934 and won a chance to travel around Europe and North Africa from 1934 to 1935. Eero started off his professional life from the United States by doing research about housing and city planning with the Flint Institute of Research and Planning in Michigan, in 1936. After working here for two years he joined his father’s firm in 1938. The first international recognition for Eero came during his collaboration with his father. It started off with a chair design and later in time, this duo of father and son managed to win many other competitions for their innovative designs and projects. Furthermore, he went on with furniture design for quite a long period of time. After the death of his father in 1950, Saarinen founded his own firm ‘Eero Saarinen & Associates’ in Birmingham, worked there until the time of his death in 1961. During this time he dedicated a huge chunk of his time for furniture design and other home furnishing design ideas. Some of his major architectural structures and contributions to the field of design are: the Bell Labs...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Platone folding table or desk with structure in chromed steel and die-cast aluminum, table top in black ABS. Designed by Giancarlo Piretti and produced b...

Set of three nesting tables with structure in steel, feet, and table tops in resin, designed by Gaetano Pesce and produced by Fish Design in 1999. Dimensions: Blue; H38,5 x 40 x 40 cm Red; H30 x 40 x 40 cm Yellow; H23 x 40 x 40 cm Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma chair...

Ara console table with a wooden structure and a glass top, was designed by Lella and Massimo Vignelli and manufactured by Driade in 1974. Licterature: G. Gramigna, Repertorio del De...

Console table with a base in black lacquered metal and an ovoidal table top in granite, originally designed by Aimaro Oreglia d'Isola and Roberto Gabetti f...

A Mid-Century Modern console table with a structure in black lacquered wood and a tabletop in Zebrino marble, Italian manufacture from the 1950s. The console table presents a single...

Torbecchia dining room set is composed of four chairs, one table, and one bench. The table and the bench were made in walnut wood, the chairs have a structure in walnut wood and wove...

A living room set composed of an oval-shaped oak gateleg table with metal details, designed by Borge Mogensen and produced by Karl Andersson & Soner, as well as a set of eight wishbo...

Low rectangular shaped table with a frontal drawer realized in wood with a glass on top, originally designed for the offices of the Banca Nazionale del Lavoro (BNL) Italian manufactu...

Square Brugiana table with a base in white Carrara marble and geometric elements in arabescato, green Alpi, sandstone, and red Levanto marble, glass on top with a white Carrara marbl...

Cubic-shaped cart with wheels with frame realized in metal which present a circular void on each side, the top and the bottom of the cart has realized in glass. The cart was design...

Traccia side table with structure in polished cast bronze, elliptical top in plywood finished with fine yellow gold leaf. Traccia table was origi...

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...

Extendable dining table in wood designed by Ilmari Tapiovaara in the 1970s. This rare table presents a rectangular top with elegant rounded edges. The table top fits to the base wi...

Very rare set of four low tables round-shaped, model 780/783 with a black lacquered wooden frame with a reversible top in black and white plastic laminate, designed by Gianfranco Frattini and manufactured by Cassina in 1960s. The tables present different heights so it can be possible to be stackable to form one cylindrical block. Frattini was born in Padova in 1926, he graduated in Architecture at the Politecnico di Milano in 1953, where he opened his first professional studio after working in Gio Ponti’s studio, his master and mentor. He worked in the field of architecture and design, with a particular interest in interior design, and attended many exhibitions and events. In 1956 he was between the founders of ADI (Association for Industrial Design) for which he created several pieces. His creations range from furnishing to lamps, marked by an essential and rigorous style. Wood was undoubtedly his preferred material, he knew its features and crafted it passionately. Among his best sellers, the 780/783 set of stacking tables for Cassina, the Sesann armchair for Tacchini, the Albero bookcase...

Torcello table in walnut wood designed in 1964 by Tobia and Afra Scarpa, produced by Stildomus in 1970s Literature: G. Gramigna, Repertorio del design ...

Round table model T72 in wood, black lacquered metal and brass details, designed by Ettore Sottsass and produced by Poltronova in the late 1950s. The T72 table has a strong base mad...

High work table in oak wood designed by Giuseppe Rivadossi and produced by Officine Rivadossi in 1973. Originally realized for a fabrics Atelier in Brescia (Italy), this table presen...

Valmarana table in ash wood designed by Carlo Scarpa and produced by Simon Gavina in the 1970s. Carlo Scarpa is a renowned architect with deep ties to Venice, where he was born and...

Round table model La Rosa dei Venti, part of the Mobili nella Valle series, it's entirely realized in pinewood, with inlays on table-top, it was designed by Mario Ceroli and produced by Poltronova in the 1970s. The beautiful inlays on the table top represent a compass rose, it's a figure that can be found on a compass, map, nautical chart, or also a monument used to display the orientation of the cardinal directions (north, east, south, and west) and their intermediate points. Rosa dei Venti is a masterpiece of Ceroli and it's very precious to the artist to its intrinsic meaning, directly connected with the cardinal points and our planet. Behind the homage to this element lurks the desire of Ceroli to reconcile the majesty of the wood with the limitless of the sea. Manufacturer's brand marked with fire on the table structure. Literature: Giuliana Gramigna, "Repertorio del Design Italiano 1950-2000", Allemandi, 2011, p. 214.   Mario Ceroli (1938) is one of the most influential artists of the Italian post-war period. Ceroli graduated from 'Accademia delle Belle Arti' in Rome, where he studied with Leoncillo, Fazzini and Colla. In the early stages of Ceroli's career he concentrated on ceramics and in 1958, he exhibited these works at the Premium Spoleto. In the same year Ceroli held his first solo exhibition at Galeria San Sebastinello of Rome. During 1959 he began to experiment with new materials, particularly with raw wood, such as Russian pinewood. He used these materials to create silhouetted shapes in his furniture and objects that related simplistically to the surrounding space. Ceroli relates back to the traditional medieval craftsmen, focusing on an overall and overwhelming attraction that holds a dialogue with the spectator. Between 1967-1968, Ceroli took part in exhibitions related to the "Arte de Povera" group. He had also been involved as screenplay director collaborating with "II Teatro Stabile" in Turin and with "La Scala" In Milan. Characteristically Ceroli's designs are dramatic and sculptural, with exaggerated forms and bold lines and often paying tribute to historical artworks. One of Ceroli's major works was his 'Mobili nella Valle' series, inspired directly by De Chirico's 1927 painting...

Luar (TLR.2) low table with frame in steel and table top in thick glass designed by Ross Littell in 1965 and produced by ICF in the 1970s. The Luar collection designed by Littell, i...

Oval-shape table from Artona series in wood with brass details, designed by Tobia and Afra Scarpa produced by Maxalto, 1970s. Tobia Scarpa and his wife Afra Bianchin began their lon...

Set of two luminous side table/cabinet bar in black lacquered wood, these piece presents two openable opposite doors and inner shelves. Designed by Massimo and Lella Vignelli and p...

Saratoga luminous side table/cabinet bar in black lacquered wood, this piece presents two openable opposite doors and inner shelves. Designed by Massimo and Lella Vignelli and prod...

Tobio low square shaped table with a leather lined wooden top cylindrical base in black plastic. Designed by Tobia and Afra Scarpa in the 1970s and produced by B&B Italia. Tobia S...

La Rotonda round-shaped table in walnut wood, designed by Mario Bellini in 1976 and produced by Cassina. La Rotonda table is an exquisite fusion of ...

Dining table with a beautiful base in steel and top in thick glass, designed by Vittorio Introini and manufactured by Saporiti in the 1970s. The table present an elegant and beautif...