Puritan Values Building and Garden Elements

M. H. Baillie Scott, attributed An exceptional pair of Arts and Crafts exterior sliding doors, forming part of a larger architectural set by attribution to M. H. Baillie Scott. A s...

An Arts and Crafts brass fender with embossed floral decoration featuring a central stylised flower flanked by softly rounded organic forms. The front is bordered with raised edges a...

An Arts and Crafts Cast Iron Fender with delicate seed pods on stems and flower heads cast in relief across the front and sides. The botanical motifs are repeated in a rhythmic seque...

A set of four Arts and Crafts cast iron rain hoppers, each with a raised Tudor rose motif to the front. Recently bead-blasted and finished with a weather-r...

Thorton and Downer, attributed. An Arts and Crafts Cotswold School polished steel hand-wrought poker. featuring a flattened finial with twin scrolls, a finely twisted stem, and a tap...

Thorton & Downer, Attributed. An Arts and Crafts Cotswold School Hand-Wrought Steel Toasting Fork.

A Small Gothic Revival Cast Iron Fender with pierced trefoil and pointed arch decoration to the front and sides, a row of decorative arches with fleur-de-lys motifs, and a castellate...

Thornton and Downer, attributed. An Arts and Crafts Cotswold School pair of hand-wrought fire tongs in polished steel, featuring long slender legs with curled S-shaped scroll ends an...

Liberty & Co., attributed, To Leonard Wyburd A rare Arts and Crafts oak fire screen decorated with a hand-hammered and hand-riveted circular copper device to the centre. Stood on sle...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Four very good quality Victorian cast iron circular swivel windows with a segmented triangular design. The windows open perfectly with no wear to th...

Royal Doulton. A perfect pair of Royal Doulton jardinieres on matching stands with tubeline raised flower heads and interspersed with circles and mottled blue bodies with burnt ochre...

A set of Arts and Crafts Cotswold School polished steel hand wrought fire utensils with stylised dogs or dragon heads with twisted rings to hang them from, and writhern stems. Measur...

A pair of Arts and Crafts steel fire utensils with circular hanging tops and tiny little scrolls to add decoration to them, chisel split hammered open handles. Consisting of a toasti...

An Arts and Crafts copper conical coal bucket and lid with a hand hammered sun rise to the front. With cold copper riveting to the four corners and organic brass handles to the sides...

A set of four English lead Parish Boundary plaques marked and dated: P S S and 1804. P S S with a rams head between the S's and 1820. M S P with crossed keys between the S and P and ...

Joseph Sankey and Sons. A large Arts and Crafts heavy copper planter decorated with a flower head in seed. Stamped J S & S. Made in England. Solid Brass. RD 403903 for Circa 1903.

Thomas Jeckyll for Barnard Bishop and Barnard. An Aesthetic Movement Anglo-Japanese brass fender with circular motifs decorated with birds, moths, butterflies, flowers, cherry blosso...

Dr Christopher Dresser for Coalbrookdale. An Aesthetic Movement cast iron fender with floral and pierced decoration.

E. W. Godwin William Watt,. Probably made by William Watt. An Anglo-Japanese oak statue or plant stand with wide inlaid top, tiny dovetail joints to the ...

The Victor. An Arts and Crafts Glasgow Style period cast iron fireplace, the mantle with scalloped details to the edges. The main body with a central upper stylised floral seed pod ...

A late Victorian fire with stylized floral details to the top. Designed to have tiles down each side or used as is. Registered Design 274519; Dimensions of opening: 60 cm x 35 cm

An Arts and Crafts Glasgow School copper coal box with floral decoration

An Arts and Crafts copper coal bucket with a pivoting handle and floral repousse decoration to the sides, retaining a warm unpolished chocolate coloured patina.

C Dresser for Benham & Froud, a pair of brass fire implement rests.

An Arts and Crafts copper coal bucket with stylized heart decoration, hand wrought iron handle and iron pad feet.

An Arts and Crafts brass coal bucket with a hand wrought iron handle to the lid and four stylized hand repousse hearts with hand wrought iron floral style feet.

Townshend's Birmingham. Stamped Townshend's Ltd to the base. An impressive Arts and Crafts copper coal bucket with hand repousse stylised floral details and retaining the original zi...

An Arts and Crafts copper coal bucket with a brass rope twist handle and stylized repousse leaf decoration around the body.

George Washington Jack for Longden and Co. An Arts & Crafts fireplace crafted from cast iron for the fire grate, copper plating on the top panel, and Cipollino marble for the fire s...

W J Neatby attributed. An Arts and Crafts oak coal box with stylized carrying handles to the top of angular form.

An Aesthetic Movement walnut coal box with turned finials and a row of brass turnings to the back and applied brass florets. The sides with carved floral de...

Thomas Elsley attributed. A rare Aesthetic Movement brass fire insert with an upper central peacock and Japanese basket weave decoration around it. Each side is designed to display t...

An Arts and Crafts cast iron fireplace with curved sides designed to throw more heat into the room with stylized floral decoration throughout, pillars to the sides and heating shelve...

Dr Christopher Dresser. An Aesthetic Movement walnut coal box on shaped feat set at an angle with a stylized decorative brass panel designed perfectly to shovel your coal. With origi...

Archibald Knox, made by Carter & Co, at the East Quay Works in Poole in Dorset for Liberty and Co. A rare and completely original pair of Arts and Crafts terracotta 'Olaf' planters ...

John Pearson attributed. An Arts and Crafts log or coal box with hand-formed circular Fluer De Lys copper panels to the top and larger Fleur De Lys to the sides.

Thomas Jeckyll for Barnard Bishop and Barnard. A rare Aesthetic Movement Walnut fire surround, the mantel with molded edges and four ebonized panels incised with butterfly and bamboo stems and leaf...

An Aesthetic Movement wrought writhen iron and copper fire bucket, with sunflowers that form a part of the main iron frame coming down to form the r...

Barnard, Bishop, and Barnard & Dr C Dresser, with the original B, B, & B paper label to the back. A rare Aesthetic Movement walnut fire surround, inset with four Linthorpe pottery c...

Selwyn Image for the Century Guild. A rare Arts and Crafts oak and floral embroidery fire screen decorated with stylized foxgloves. Needlework signature CG to the lower right-hand c...

E W Godwin. In the style of. An Anglo-Japanese designed fire screen, with a stepped top rail and a Japanese silk embroidery depicting a pair of parrots or parakeets amongst floral de...

An Aesthetic Movement dark oak coal box in the style of Daniel Cottier. With all over shallow carved floral decoration.

Thomas Jeckyll for Barnard Bishop and Barnard. A rare Aesthetic Anglo-Japanese Walnut coal box with Japanese style circular devises to the front lift up flap, and treble linked circu...

Liberty and Co. An Arts and Crafts wrought iron and copper firescreen with perced floral decoration and flower heads to the front with scrolled iron ...

An Anglo-Japanese oak firescreen with a Torri gate detail to the top and an embroidery of a river scene.

Thornton and Downer attributed. A pair of Arts and Crafts Cotswold School hand-made steel fire dogs with scroll tops and fine decorative chasing.

An Arts and Crafts copper coal bucket and lid with a sunflower seed pod handle, and hand-hammered sunflowers to all four sides each framed with subtle half-moon chasing. With cold co...

C R Ashbee for The Guild of Handicraft, attributed. An early pair of hand-wrought iron fire dogs with inset copper hearts to the tops. Very fine blacksmiths work with hand-hammered f...

A pair of Arts and Crafts copper and bronze fire dogs with pyramid finials and decorative with copper flower heads to the tops, and copper flower decoration to the bases applied to a...

An Aesthetic Movement Walnut metamorphic oak coalbox. The handle when pulled back mechanically opens the two doors to the front, which has brass panels depicting Herons eating fish i...

Thornton and Downer. A set of four Arts and Crafts Cotswold School hand-made steel fire tools that hang from the original stand, with decorative chasing and scroll top handles.

Robert Hilton for Hilton Ware. An impressive Arts and Crafts copper coal bucket with a single flowering seed pod, the roots of which are of blind riveted fretwork to the base. The s...

Robbins and Co attributed to Henry Jeckyll. A pair of Anglo-Japanese cast iron fire dogs. With registered design losenge mark to the foot. Price for the pair. Henry was the cousin of...

William Arthur Smith Benson and Heywood Sumner. A rare and probably unique Arts & Crafts brass and copper fireplace fender surmounted with six finials and six leaf-shaped feet. The main body with alternating brass and copper discs, each with embossed floral decoration. The floral decoration to the discs is probably the design of Heywood Sumner who collaborated with Benson on some of his lighting designs particularly a three branch brass and copper wall candle sconce, also with embossed floral decoration. This particular model with floral embossed details to the discs is probably the rarest and hardest one to find. Even after extensive research, I cannot find another one that has ever come onto the market before. I have found two almost identical Benson fenders...

Dr C Dresser for Benham and Froud stamped mark. A pair of Aesthetic Movement brass fire dogs with sunflower heads on elegant shaped necks.

A pair of Aesthetic Movement cast iron garden benches, known as the Lily pad design, with fine fern leaf detailing, and smaller Lily-style leaves to the angular legs. Coalbrookdale ...

An exceptional pair of Arts and Crafts hand-hammered and hand-wrought iron gates with scrolling floral decoration to the top with some of the widest tight scroll work decoration I ha...

A rare Thomas Elsley fireplace with stylized floral details to the centre. The fireplace will require a new marble mantle top to be made to the colour of yo...

A monumental Moorish mid-Victorian wrought iron Pergola or Decorative Garden Structure, a unique masterpiece in High Victorian Ironwork design. Ou...