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Pair Of Antique Regency Ebonised Faux Bamboo Chairs, Early 19th Century
Located in Bristol, GB
PAIR OF ANTIQUE PAINTED SIDE CHAIRS
Made from pine with simulated bamboo decoration throughout.
At some point in their life, probably during the 20th century, they have been paint...
Category
Antique Early 19th Century British Regency Chairs
Materials
Wood, Paint, Faux Bamboo, Pine
Pair Of Vintage Selene Chairs By Vico Magistretti For Artemide, 1960s/1970s
By Vico Magistretti, Artemide
Located in Bristol, GB
MID CENTURY ITALIAN STACKING DINING CHAIRS
An iconic design by well-renowned Italian architect and designer Vico Magistretti (1920-2006).
Made from fibreglass reinforced plastic, ...
Category
Vintage 1960s Italian Mid-Century Modern Chairs
Materials
Plastic, Fiberglass
Antique Asante (Ashanti)
Akonkromfi
Chief
s Throne Chair, Ghana, 19th Century
Located in Bristol, GB
ANTIQUE WEST AFRICAN CHAIR
Made from hand-carved hardwood with a leather seat and embellished profusely with brass sheets and studs culminating in decorative brass finials. The carv...
Category
Antique 19th Century Ghanaian Baroque Chairs
Materials
Brass
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1969, Vico Magistretti for Artemide, Set of Four White Selene Chairs
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This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach, check last pictures on this listing and/or find more details on his family name plus eu, is for sale soon too. :-)
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Vico Magistretti "Carimate" Dining Chairs for Cassina, 1960, Set of 4
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Located in Chorzów, PL
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Early 19th Century Pair of Klismos Chairs, George Oakley
By George Oakley
Located in Richmond, London
An exceptional pair of Regency period chairs, with a well-shaped 'Klismos' outline and unusually generous proportions, attributed to George Oakley of Bond Street. London, circa 1810. Extremely rare and thought after model.
Why we like them
With front legs unusually splayed in two dimensions, this design is one of the most sophisticated examples from the Regency period. Unusual in form, subtle in ornamentation, and outstanding in quality, these chairs display the decorative techniques of cabinetmaking, rather than joinery. The veneers and Greek-key brass inlays cover the seat rails and front leg joints—a highly unusual feature for chairs—demonstrating superb cabinetmaking skills and suggesting a high-end workshop origin.
Attribution:
The extremely rare ‘double-splayed’ front legs, derived from ancient Greek Klismos seats, along with exquisite brass inlays, contribute to these chairs' distinctive elegance. This form, along with certain decorative elements, aligns with other pieces traditionally attributed to George Oakley (1773–1840), one of the foremost London cabinetmakers of the period.
The scrolling foliage pattern of the inlays on the back tablets of these chairs matches the decoration on a spider-leg sofa table illustrated in F. Collard’s Regency Furniture (Woodbridge, 1987, p. 317) and Mallett’s The Age of Matthew Boulton - Masterpieces of Neo-classicism (London, 2000, pp. 112-113). This table, belonging to a group of furniture firmly attributed to Oakley, likely originates from the same workshop as these chairs. An identically decorated daybed, en suite with these chairs, appears in the same Mallett catalogue (pp. 94-95). A magnificent center table, featuring the same inlays and possibly from the same suite, was sold at Christie’s, New York, 29 January 1994, lot 342.
An identical pair of chairs is illustrated in Ronald Phillips’s Fine Antique English Furniture 2018, pp. 158-159.
George Oakley
George Oakley’s firm produced stylish Grecian-inspired furniture around the turn of the 19th century, pioneering ‘Buhl’ inlay, a decorative technique that regained popularity in the Regency’s early years. Fashionable materials like rosewood, mahogany, and calamander were often used in Oakley's furniture, combined with satinwood, ebony inlays, brass stars, and metal bands. His high-class furniture earned him a royal appointment and a reputation for fine craftsmanship.
Visits by the royal family to Oakley's Bond St. Showrooms are recorded as in the Morning Chronicle of 1799. In May, “the ROYAL FAMILY, with the PRINCE and PRINCESS of ORANGE did Mr. OAKLEY the honor of viewing his Printed Furniture...
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Early 19th Century Pair of Chairs
Located in Stockbridge, GA
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Vico Magistretti Set of Two Red Selene Chairs by Artemide 1970s
By Vico Magistretti, Artemide
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The Selene chair was designed in 1967 by Magistretti to be produced in a plastic material, as he affirmed: "The seat and the back are simple curved surfaces. For me, the legs represented the real image of the piece, with as small a volume as that of any common wooden chair. I solved it by exploiting the molding of a plastic material formed by a simple 3-millimeter-thick sheet with a simple but very resistant "S" cross-section which inter-related the object with ordinary chairs without however the elephant legs so untypical of chairs. It was fun working with the model maker on the wood model." When produced in series, "a unit comes out of the machine every five minutes": Selene is the fruit of a single compression molding process on a pre-impregnated sheet (Ottagono 15 / 1969). Magistretti solves the problem of leg resistance by adopting an "S-shaped" configuration that confers resistance to a sheet only 3 millimeters thick. The formal and structural solution had already been previously adopted for the Chimera lamp (a self-supporting methacrylate sheet) and in developing the legs of the Demetrio table...
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By Vico Magistretti, Cassina
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Selene Chairs by Vico Magistretti for Artemide, 8 Pcs
By Artemide, Vico Magistretti
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Please note: price per item.
The Selene chair was designed by Vico Magistretti during the 1960s, and has been featured in the MoMA New York.
Origination...
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Vintage 1960s Italian Mid-Century Modern Side Chairs
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