Serge Rallo Buffets

Introducing an alluring low sideboard, meticulously crafted from bleached oak and graced with plinth legs, embodying the distinct design essence of the 1950s. This sideboard harmonio...

French Oak Sideboard in the Spirit of René Gabriel, France, 1950s Post-war pragmatism refined to line and volume — quiet utility with a modernist conscience. This oak sideboard chan...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric meda...

This exceptional 1950s French oak sideboard is a masterful blend of provincial heritage and midcentury modernism, embodying the transition from tradition to a bolder, more architectu...

"The craftsman’s hand imbues the wood with a soul that endures beyond time." — Anonymous Breton Proverb. Carved from solid French oak, this Breton buffet...

Extremely beautiful and high quality buffet cabinet / credenzas with seven drawers and an extendable shelf allover in very good condition designed by Kurt Karlsson for Löfvings & Sön...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...

Brazilian Design Dressing Table, c. 1960 Caviuna wood Dimensions: 156 x 45 x 115 cm (61 21/50 x 17 18/25 x 45 7/25 in) This elegant dressing table, crafted in the 1960s, show...

A testament to the quiet conviction of French mid-century design, this bleached oak buffet reveals a language of sculptural precision and architectural rhythm. Framed in a discipline...

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...

This French Alpine buffet from the 1950s, crafted from solid oak, embodies the sculptural and functional aesthetics pioneered by Guillerme et Chambron and Charlotte Perriand. Its bol...

Sideboard with mirror and original green glass.