Robert Simon Fine Art Landscape Paintings
to
1
1
1
1
Overall Width
to
Overall Height
to
2
2
2
2
2
3
2
1
1
1
1
4
4
2
2
2
1
1
3
4
Allegory of Abundance
Located in New York, NY
Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632).
Provenance: Private Collection, Uruguay, since the 1930s.
The eldest son of Jan Br...
Category
17th Century Old Masters Paintings
Materials
Copper
Two Scenes of Diana and Actaeon (a pair)
By Giovanni Battista Viola
Located in New York, NY
Provenance:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
Giovanni Battista Viola was born in Bologna a...
Category
17th Century Baroque Landscape Paintings
Materials
Copper
View of St. John’s Cathedral, Antigua
Located in New York, NY
Provenance:
Robert Hollberton, Antigua, ca. 1841
Private Collection, New York
The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event:
“On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.”
The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1).
Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...
Category
19th Century Old Masters Landscape Paintings
Materials
Canvas, Oil
Ezekiel in the Valley of Dry Bones
By Philip Burne-Jones
Located in New York, NY
Provenance:
Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel);
James Nicoll
Private Collection
Sotheby’s, London, 29 March 1983, lot 157
Private Collection, New Yo...
Category
Late 19th Century Victorian Figurative Paintings
Materials
Canvas, Oil
Related Items
Resurrection of Christ. Study of the Master of the Prodigal Son. Ca. 1550.
Located in Firenze, IT
Resurrection of Christ
Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560)
Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame)
The work was exa...
Category
16th Century Mannerist Landscape Paintings
Materials
Oil, Wood Panel, Board
$8,975 Sale Price
21% Off
H 31.89 in W 24.81 in
Baroque Neapolitan painter - 17th century figure painting - Joseph Potiphar wife
Located in Varmo, IT
Neapolitan painter (17th century) - Joseph and Potiphar's Wife.
55 x 40.5 cm.
Antique oil painting on canvas, unframed (not signed).
Condition report: Lined canvas. The painted su...
Category
Late 17th Century Baroque Landscape Paintings
Materials
Canvas, Oil
$2,986 Sale Price
28% Off
H 21.66 in W 15.95 in
Old Master Painting, Flemish School from 1600s, Saint Nicholas of Tolentino
Located in Stockholm, SE
This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...
Category
17th Century Old Masters Landscape Paintings
Materials
Copper
$4,030 Sale Price
25% Off
H 9.65 in W 7.29 in
Christ Angels Pietro Da Cortona Paint Oil on canvas Old master 17th Century Art
Located in Riva del Garda, IT
Christ surrounded by angels in the desert
Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669)
Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.)
The ...
Category
17th Century Old Masters Paintings
Materials
Oil
$8,569 Sale Price
20% Off
H 31.5 in W 25.2 in
VENICE - In the Manner of Canaletto -Italian Landscape Oil on Canvas Painting
By Mario De Angeli
Located in Napoli, IT
Venice - Mario De Angeli - Italia 2006 - Oil on canvas cm. 70x90.
Mario De Angeli's canvas is an extraordinary work of Italian landscape painting. They are inspired by the landscap...
Category
Early 2000s Old Masters Landscape Paintings
Materials
Canvas, Oil
$7,404
H 27.56 in W 35.44 in
19th century English marine, The Thames at the Pool of London, original frame
By Bernard Benedict Hemy
Located in Woodbury, CT
Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...
Category
1890s Victorian Landscape Paintings
Materials
Canvas, Oil
Abraham and the Sacrifice of His Son Isaac by Adriaen Van Stalbemt, C. 1605-1610
Located in Stockholm, SE
Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662
Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham”
According to the Old...
Category
Early 1600s Old Masters Landscape Paintings
Materials
Copper
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed to John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-centu...
Category
1810s Victorian Landscape Paintings
Materials
Canvas, Oil
Italian School, Late 17th Century Christ in the Garden of Gethsemane
Located in Woodbury, CT
Italian School, Late 17th Century (circa 1670–1700)
Christ in the Garden of Gethsemane
Oil on panel, in a carved and gilded Baroque frame
The painting is unsigned
A moving devotiona...
Category
1650s Old Masters Figurative Paintings
Materials
Copper
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-century ...
Category
1810s Victorian Landscape Paintings
Materials
Canvas, Oil
Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans Soolmaker
Located in Stockholm, SE
This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999.
The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further.
The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work.
The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson.
Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented.
Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre.
Information:
Jan Frans Soolmaker (Flanders 1635‑1685)
Shepherd with Sheep...
Category
17th Century Old Masters Animal Paintings
Materials
Canvas, Oil
$4,299 Sale Price
20% Off
H 22.05 in W 20.87 in
18th century French Garden or Féte a Bride and musicians playing music
Located in Woodbury, CT
This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...
Category
1780s Old Masters Figurative Paintings
Materials
Canvas, Oil





