S S Timms Antiques Ltd. Cabinets

19th century mahogany and inlaid display cabinet, the shaped cornice above an inlaid frieze, two glazed doors below opening to reveal two glass shelves inside, the bottom of each doo...

Early 19th century rosewood inverted breakfront side cabinet, having a green marble top above a central open compartment with two adjustable shelves, flanked by two pleated fabric panel doors...

Introducing a distinguished 19th Century Antique Mahogany Pier Display Cabinet crafted by the esteemed maker Edwards & Roberts. This exceptional piece showcases intricate Chinoiserie...

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

19th century chinoiserie display cabinet with glass shelves, two hidden drawers, and opening to two bottom doors.

Early 19th century Regency mahogany estate cabinet, the stepped moulded cornice with beading surmounted with pierced broken swan neck pediment raised over two period bevel mirrored d...

This late Empire tall cabinet, crafted from dark polished mahogany, is a stunning example of 19th-century craftsmanship. Dating back to 1840, it s...

Original, fully restored Art Deco Bar-Cabinet in lacquered Macassar Veneer, with Mahogany interior and Nickel fittings from France circa 1930. Beautiful book-matched Macassar ebony...

A Belgian mid-19th century, red painted store display cabinet. A large and imposing antique Canadian pine display cabinet vitrine, woodcarving in...

We are delighted to offer for sale this stunning pair of very rare, original William IV oversized side cupboards with Lion hairy paw feet These are exquisite, I’ve honestly never ...

Cabinet Art Deco, French, circa 1930 Two drawers and three doors Height dimension of the buffet without the mirror: 39.37 in. (100 cm) walnut and brass Very nice flowers carved finis...

This wooden cabinet is designed in the Boulle style. This style was very popular around the time of Napoleon III. The characteristic of this style is the use of small pieces of wood in furniture, inlaid designs with many different materials: precious wood, precious stones, enamel, ivory, seashells, metal, marble etc. In addition, to express the royal style, the "Boulle" style also uses a large amount of gilded copper on the furniture, such as tiger claw decoration, mirror border decoration, leaf decoration, etc. The main elementsof this cabinet is ebony and turtle shell, with decorative details and gilded legs. This is a pretty prominent highlight in the overall black and gold color scheme. Moreover, the head of a woman is in the middle of the cabinet with waves in her hair and grape vines could be representing the Greek goddes of spring Spring. Surrounding the head are beautiful acanthus motifs incorporated in every layer and surface of the cabinet. Symmetricallly on the left and right side of the head are two identical faces, with one being the lock of the cabinet where key goes. The four corners of the cabinet have blooming carnations to create a feeling of spring coming. The details are collaged, decorated with golden bronze leaves in a classic French style. On the edges of the cabinet are sculptures of two women wrapped around with cloth and leaves. Through it, the author highlights the beauty of the woman's status in the past. On the side panels of the cabinet is placed a gilded face of a man with wings...